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Screening World Cinema de Catherine Grant

Screening World Cinema: The Screen Readers

Editat de Catherine Grant, Annette Kuhn
en Limba Engleză Paperback – 12 apr 2006
Screening World Cinema brings together a selection of the best articles on the topic of world cinema published in the esteemed Screen journal.
Available in one volume for the first time, this collection allows readers to cross-reference debates and essays that have ranged across many issues of Screen. Themes addressed include:
  • the problem of defining ‘world cinema’
  • the relationship between ‘first’ and ‘third’ cinema and criticism
  • issues of modernity and modernization
  • questions of national and transnational cinema.
With a selection of articles on key contemporary ‘world’ cinemas – New Iranian, Latin American and Chinese as well, this will be a must-read for all students of world cinema.
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Specificații

ISBN-13: 9780415384292
ISBN-10: 041538429X
Pagini: 248
Ilustrații: 15 halftones
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.39 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria The Screen Readers

Locul publicării:Oxford, United Kingdom

Public țintă

Undergraduate

Cuprins

Illustration List.  Acknowledgments.  Notes on Contributors.  1. Screening World Cinema  Part 1: Views from Here and There  2. Marginal Cinemas and Mainstream Critical Theory: The Relationships between "Third World" Cinema and "First World" Criticism  3. Colonialism and "Law and Order" Criticism  Part 2: Modernity and Modernization  4. A Screen of One's Own: Early Cinema in Quebec and the Public Sphere 1906-28  5. If Looks Could Kill: Image Wars in Maria Candelaria  6. Pictures of the Past in the Present: Modernity, Femininity and Stardom in the Postwar Films of Ozu Yasujiro  Part 3: Melodrama as a National and Transnational Mode  7. The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s  8. Avenging Women in Indian Cinema  9. Narratives of Resistance: National Identity and Ambivalence in the Turkish Melodrama between 1965 and 1975  Part 4: Contemporary World Cinema and Critical Theory  10. The Open Image: Poetic Realism and the New Iranian Cinema  11. Signs of Angst and Hope: History and Melodrama in Chinese Fifth-Generation Cinema  12. Affecting Legacies: Historical Memory and Contemporary Structures of Feeling in Madagascar and Amores Perros  Appendix

Descriere

Collating a selection of the best articles on world cinema from esteemed journal Screen, this book discusses key issues affecting world cinema, and allows readers to cross-reference debates and essays that have ranged across many issues of Screen.