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Score-Making: Creative Prompts for Mapping Personal Experience Through Sound

Autor Jennie Gottschalk
en Limba Engleză Paperback – iul 2027
Score-Making is an invitation to develop meaningful links between sound practices and everyday experience.

There are prompts in several broad sections-maps, necessities, difficulties-that involve responding to questions and then drawing from those responses to create a set of instructions for sound-making ("scores"). Several example scores are included under each set of questions. Through performance of these scores, abstract ideas are brought into the realm of direct, immediate experience.

While this project is grounded in a text score tradition associated with experimental music, it is open to any number of approaches and can be bent to the creative will and technical resources of each individual reader. It mainly calls for honesty and a willingness to seek out alignment between personal and creative intentions.
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Specificații

ISBN-13: 9798765139462
Pagini: 256
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Cuprins

Acknowledgements
1. Introduction
2. Maps
2.1 Frameworks
2.2 Place
2.3 Practice
2.4 Bodies
2.5 Language
2.6 Access
2.7 Change
2.8 Futures
3. Necessities
3.1 Stability
3.2 Order
3.3 Time
3.4 Tasks
3.5 Home
3.6 Food
3.7 Rest
3.8 Happiness
3.9 Connection
3.10 Citizenship
4. Difficulties
4.1 Burden
4.2 Habit
4.3 Distraction
4.4 Confusion
4.5 Fear
4.6 Hurt
4.7 Regret
4.8 Grief
5. Context, Precedents, Parameters
5.1 Personal and Social Context
5.2 Precedents, Related Practices, and Further Reading
5.3 Parameters and Conditions
6. Appendix
6a Contributors
6b Score-Making Approaches
6c Online Repository
6d Score-Making Journal

Index

Notă biografică

Jennie Gottschalk (born 1978 in Stanford, CA) is a composer based in Boston. She holds a bachelor's degree in composition from The Boston Conservatory (2001), and a master's degree and doctorate from Northwestern University (2008). Teachers have included Larry Bell, Yakov Gubanov, Jay Alan Yim, Augusta Read Thomas, and Aaron Cassidy. Recent performances in Los Angeles (Dog Star Orchestra) and Chicago (Northwestern University Symphony Orchestra and Contemporary Music Ensemble). Her dissertation and current work explore connections between American pragmatist thought and experimental music. Current projects include a string quartet, a children's book, an experimental music blog (soundexpanse.com), and a residency at the Conway School of Landscape Design. For additional resources related to this book, please visit the author's website at soundexpanse.com.