AUTHOR-APPROVED 'This beautifully written study takes the reader on an exhilarating journey through a wealth of comic manifestations in Beckett's work. Its nuanced and insightful analysis draws on a range of thinkers, to produce fresh and original readings of Beckett's carefully calibrated laughter-craft.' Mary Bryden, University of Reading 'Always itself witty and entertaining, this is the first comprehensive picture of the way that Beckett's comedy is woven into the temporal, ethical and political fabric of his writing. In this book, Laura Salisbury shows us that comedy is not a by-product of Beckett's work - not a consolation for the bleakness of his vision, or a side effect of it - but the motor that drives his literary thinking.' Peter Boxall, Sussex University Reads Beckett's comic timing as part of a post-war ethics of representation Samuel Beckett is a funny writer. He is also an author whose work is taken to respond ethically to the unspeakable seriousness of the post-Holocaust situation. How can these two statements sit together? Ranging widely over Beckett's fiction, drama and critical writings, and including readings of Murphy, the Trilogy, Waiting for Godot, Endgame, the late prose and the late plays, this book demonstrates that it is through Beckett's comic timing that we can understand the double gesture of his art: the ethical obligation to represent the world how it is while, at the same time, opening up a space for how it ought to be. Laura Salisbury is RCUK Research Fellow in Science, Technology and Culture at Birkbeck, University of London. She is co-editor of Neurology and Modernity: A Cultural History of Nervous Systems, 1800-1950 (2010). Her current research project is a study of the relationship between neurological conceptions of language, modernism and modernity. Jacket image: Samuel Beckett, 1960 (c) Lutfi Ozkok/Sipa/Rex Features Jacket design: [insert logo file] www.euppublishing.com ISBN 978-0-7486-4748-4 [please add in the white area above the barcode] Barcode