In the spring of 1893 Strindberg had just published "A Fool's Confession," D'Annunzio was employing all the multicolored glory of his style to prove "The Triumph of Death"; Hardy was somberly mixing on his palette the twilight grays and blacks and mourning purples of "Jude the Obscure"; Nordau, gnashing his teeth, was bellowing "Decadent" at his contemporaries who smirked a complacent acceptance of the epithet ... and, all unconscious of the futility and sordidness of the world, Neale Crittenden swaggered along Central Avenue, brandishing his shinny stick.