Romanticism and Postromanticism
Autor Claudia Moscovicien Limba Engleză Hardback – 9 feb 2007
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Specificații
ISBN-13: 9780739116746
ISBN-10: 0739116746
Pagini: 123
Dimensiuni: 161 x 236 x 15 mm
Greutate: 0.33 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
ISBN-10: 0739116746
Pagini: 123
Dimensiuni: 161 x 236 x 15 mm
Greutate: 0.33 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
Cuprins
Chapter 1 Introduction: The Branches of Romanticism
Chapter 2 A Kiss Sent by Mail: The Expression of Passion in Rousseau's Julie, ou La Nouvelle Heloise
Chapter 3 Between Two Worlds: Germaine de Stael's De L'Allemagne
Chapter 4 Lucidity and Passion in Diderot's Aesthetics
Chapter 5 Romantic Aesthetics: Wordsworth and Baudelaire
Chapter 6 Aesthetics after Romanticism: On Originality, Individuality, and Autonomy in Art
Chapter 7 A Sketch of Postromanticism
Chapter 8 The Postromantic Manifesto
Chapter 9 Postromantic Artists (postromanticism)
Chapter 2 A Kiss Sent by Mail: The Expression of Passion in Rousseau's Julie, ou La Nouvelle Heloise
Chapter 3 Between Two Worlds: Germaine de Stael's De L'Allemagne
Chapter 4 Lucidity and Passion in Diderot's Aesthetics
Chapter 5 Romantic Aesthetics: Wordsworth and Baudelaire
Chapter 6 Aesthetics after Romanticism: On Originality, Individuality, and Autonomy in Art
Chapter 7 A Sketch of Postromanticism
Chapter 8 The Postromantic Manifesto
Chapter 9 Postromantic Artists (postromanticism)
Recenzii
Addressing both a revolution in esthetics and an important development in the history of thought, Claudia Moscovici argues that in its break from the Enlightenment, Romanticism promoted core values such as verisimilitude, expressivity, and sensuality, that have become an important postromantic opposition - in our contemporary visual arts, especially - to Modernism and postmodernism. The discussion is fresh and engaging.
In Romanticism and Postromanticism, Claudia Moscovici writes that "art criticism, like philosophy, like love itself, depends upon cultivating a lucid passion." This book, which brings a breath of fresh air to the study of enduring themes, is the lucid, engaging result of Moscovici's own passion for literature, philosophy, and art. And it is much more, an enthusiastic appeal to eize the day, to live life to the fullest, complete with a manifesto and a roster of artists who epitomize the aspirations of the postromantic movement.
Claudia Moscovici is a historian of ideas, astute reader of literature, and sensitive interpreter of art. Her unusual, original book, vividly written, solidly researched, is both academically sound and passionately committed. Lucid chapters on Rousseau, Mme de Staël, Diderot, Wordsworth and Baudelaire define the aesthetics, ethics, and epistemology of the movement she calls postromanticism, alive today. Exciting to read.
In Romanticism and Postromanticism, Claudia Moscovici writes that "art criticism, like philosophy, like love itself, depends upon cultivating a lucid passion." This book, which brings a breath of fresh air to the study of enduring themes, is the lucid, engaging result of Moscovici's own passion for literature, philosophy, and art. And it is much more, an enthusiastic appeal to eize the day, to live life to the fullest, complete with a manifesto and a roster of artists who epitomize the aspirations of the postromantic movement.
Claudia Moscovici is a historian of ideas, astute reader of literature, and sensitive interpreter of art. Her unusual, original book, vividly written, solidly researched, is both academically sound and passionately committed. Lucid chapters on Rousseau, Mme de Staël, Diderot, Wordsworth and Baudelaire define the aesthetics, ethics, and epistemology of the movement she calls postromanticism, alive today. Exciting to read.
Notă biografică
Claudia Moscovici is art critic and novelist based in Ann Arbor, Michigan. She obtained her A.B. in Comparative Literature from Princeton University, a Ph.D. in the same field from Brown University and has taught courses on the French Enlightenment, Romanticism and art and aesthetics at Boston University and the University of Michigan. She's the author of the art and aesthetics textbook, Romanticism and Postromanticism (Lexington Books, 2010), and a founding partner of Panodyssey.com, an international art and culture collaborative venture started in 2019 by Universal Music France executive Alexandre Leforestier, IT innovator Yann Rigo and marketing entrepreneur Valentin Bert. Due to the popularity of her art blog, https: //fineartebooks.wordpress.com/, she has been voted by artists one of the top five "most famous female art critics in the world" on ranker.com, the largest international database of opinions, with more than 1 billion votes.