Romantic Comedy: Forms of Drama
Autor Prof. Trevor R. Griffithsen Limba Engleză Paperback – 21 sep 2023
Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition, including A Midsummer Night's Dream, Twelfth Night, Susanna Centlivre's A Bold Stroke for a Wife, Oliver Goldsmith's She Stoops to Conquer, Stanley Houghton's Hindle Wakes, Noël Coward's Private Lives, Shelagh Delaney's A Taste of Honey, Ayub Khan-Din's East is East and David Eldridge's Beginning.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 193.67 lei 3-5 săpt. | |
| Bloomsbury Publishing – 21 sep 2023 | 193.67 lei 3-5 săpt. | |
| Hardback (1) | 445.34 lei 6-8 săpt. | |
| Bloomsbury Publishing – 10 mar 2022 | 445.34 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781350183414
ISBN-10: 1350183415
Pagini: 184
Ilustrații: 10 bw illus
Dimensiuni: 244 x 296 x 132 mm
Greutate: 0.21 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Forms of Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350183415
Pagini: 184
Ilustrații: 10 bw illus
Dimensiuni: 244 x 296 x 132 mm
Greutate: 0.21 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Forms of Drama
Locul publicării:London, United Kingdom
Cuprins
List of Illustrations
Series Preface
Acknowledgements
Conventions
Introduction: 'The Course of True Love'
1. Shakespeare and Romantic Comedy
2. Romantic Comedy: 1660-1895
3. Romantic Comedies of (Bad) Manners: 1895 to the present
Epilogue
References
Index
Series Preface
Acknowledgements
Conventions
Introduction: 'The Course of True Love'
1. Shakespeare and Romantic Comedy
2. Romantic Comedy: 1660-1895
3. Romantic Comedies of (Bad) Manners: 1895 to the present
Epilogue
References
Index
Recenzii
Worth reading particularly for the intelligent way in which it defines its subject then follows it through history from ancient times to the present day.
Griffiths' book offers a succinct and lively introduction to English Romantic Comedy. Analysing and contextualizing a range of key texts and their performance history from the Renaissance to the 21st century, this accessible book pays special attention to how dramatists have explored, adapted and challenged the conventions of Romantic Comedy, as they have used the genre to reflect not only on love but also on issues such as marriage, family, class, gender and sexuality. It is a welcome new resource for students of Romantic Comedy.
Romantic Comedy reveals the complexity and nuance of a genre that we think we know and easily understand. Exploring examples drawn from 2,500 years of theatre history, the work both outlines the history of Romantic Comedy and shows how more recent plays challenge the conventions of the genre. The book is particularly strong in its attention to the plays as acts of performance as well as scripts. Griffiths considers how contemporary productions can shed new light on classic romantic comedies and how 21st-century dramatists rework mainstays of the Romantic Comedy repertoire, thereby offering new insights into gender, race, and class.
Well-suited to undergraduates who are looking for a deeper understanding . Romantic Comedy is a worthy read for those studying the genre or interested in generally deepening analytical thinking around this text type.
Griffiths' book offers a succinct and lively introduction to English Romantic Comedy. Analysing and contextualizing a range of key texts and their performance history from the Renaissance to the 21st century, this accessible book pays special attention to how dramatists have explored, adapted and challenged the conventions of Romantic Comedy, as they have used the genre to reflect not only on love but also on issues such as marriage, family, class, gender and sexuality. It is a welcome new resource for students of Romantic Comedy.
Romantic Comedy reveals the complexity and nuance of a genre that we think we know and easily understand. Exploring examples drawn from 2,500 years of theatre history, the work both outlines the history of Romantic Comedy and shows how more recent plays challenge the conventions of the genre. The book is particularly strong in its attention to the plays as acts of performance as well as scripts. Griffiths considers how contemporary productions can shed new light on classic romantic comedies and how 21st-century dramatists rework mainstays of the Romantic Comedy repertoire, thereby offering new insights into gender, race, and class.
Well-suited to undergraduates who are looking for a deeper understanding . Romantic Comedy is a worthy read for those studying the genre or interested in generally deepening analytical thinking around this text type.