Reel Gender: Palestinian and Israeli Cinema
Editat de Sa'ed Atshan, Katharina Galoren Limba Engleză Paperback – 30 mai 2024
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Specificații
ISBN-13: 9781501394256
ISBN-10: 1501394258
Pagini: 256
Ilustrații: 40 color illus
Dimensiuni: 152 x 228 x 14 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501394258
Pagini: 256
Ilustrații: 40 color illus
Dimensiuni: 152 x 228 x 14 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Cuprins
Introduction: Film and the Gender Lens
Katharina Galor (Brown University, USA) and Sa'ed Atshan (Emory University, USA)
Part I: Feminist Perspectives
1. The Religious Feminism of Rama Burshtein's Romances
Karen E. H. Skinazi (University of Bristol, UK)
2. Silence.No More.: Palestinian Cinema of Transgression
Lema M. Salem (Independent Scholar, Germany)
3. Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema
Anna Ball (Nottingham Trent University, UK)
Part II: Approaching Masculinities
4. Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman
Kamran Rastegar (Tufts University, USA)
5. "Queer As Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion
Gil Hochberg (Columbia University, USA)
Part III: Israeli-Palestinian Intersections
6. Our African Palestine: Intersectional Specters in the House of Zion
Greg Burris (American University of Beirut, Lebanon)
7. Write Down, I Am a Woman
Shai Ginsburg (Duke University, USA)
8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians
Yael Zerubavel (Rutgers University, USA)
Filmography
Figures
Index
Katharina Galor (Brown University, USA) and Sa'ed Atshan (Emory University, USA)
Part I: Feminist Perspectives
1. The Religious Feminism of Rama Burshtein's Romances
Karen E. H. Skinazi (University of Bristol, UK)
2. Silence.No More.: Palestinian Cinema of Transgression
Lema M. Salem (Independent Scholar, Germany)
3. Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema
Anna Ball (Nottingham Trent University, UK)
Part II: Approaching Masculinities
4. Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman
Kamran Rastegar (Tufts University, USA)
5. "Queer As Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion
Gil Hochberg (Columbia University, USA)
Part III: Israeli-Palestinian Intersections
6. Our African Palestine: Intersectional Specters in the House of Zion
Greg Burris (American University of Beirut, Lebanon)
7. Write Down, I Am a Woman
Shai Ginsburg (Duke University, USA)
8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians
Yael Zerubavel (Rutgers University, USA)
Filmography
Figures
Index
Recenzii
A double lens on Israeli and Palestinian film, 2 distinctive yet enmeshed sets of films addressing contemporary connundra of gender, sexuality, and identity in a desperate, yet vital world inhabited so differently by both, yet with similar anxieties and to a degree, aspirations. The book begins with a superb introduction by the pair of editors, one Israeli the other Palestinian, and is followed by trenchant and interesting studies by top scholars. This book is a must for anyone wishing to decipher the complex double reality of Israel/Palestine.
Without losing sight of the 'inherent asymmetry of power dynamics,' Reel Gender projects the entanglement of Palestine/Israel for us to see. Against the backdrop of settler colonialism and through the lens of gender which puts power and inequality in focus, Atshan and Galor bravely invite their contributors and readers to a difficult and necessary conversation about the making of fiction and reality.
Without losing sight of the 'inherent asymmetry of power dynamics,' Reel Gender projects the entanglement of Palestine/Israel for us to see. Against the backdrop of settler colonialism and through the lens of gender which puts power and inequality in focus, Atshan and Galor bravely invite their contributors and readers to a difficult and necessary conversation about the making of fiction and reality.