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Reading the Boss: Interdisciplinary Approaches to the Works of Bruce Springsteen

Editat de Roxanne Harde, Irwin Streight Contribuţii de Teresa Abbruzzese, Stephen Hazan Arnoff, Ann V. Bliss, Mike Cadó, Peter J. Fields, Frank P. Fury, Michael Kobre, June Skinner Sawyers, John J. Sheinbaum, Kenneth Womack, Liza Zitelli
en Limba Engleză Paperback – 14 aug 2010
Reading the Boss: Interdisciplinary Approaches to the Works of Bruce Springsteen, edited by Roxanne Harde and Irwin Streight, draws together close readings of Bruce Springsteen's lyrics by scholars across a range of academic disciplines. The editors first make a compelling comparison between Bruce Springsteen and William Shakespeare, carefully building the argument that both men offer profound insight into the hungry human heart. Springsteen, they argue, uses many Shakespearean themes such as the ties of blood and friendship, commitment to country and community, the monsters of lust and jealousy, vanity and power, and the hopeful pursuit of real love. These themes lift his music beyond stories of characters casing the Promised Land of America to universal matters of the heart's truth wherever it is found. Then, the twelve chapters of Reading the Boss, written by established and emerging scholars, engage readers both critically and enthusiastically with central issues in Bruce Springsteen's writing, as they read his explorations of gender, place, religion, philosophy, and other literary texts, notably the works of Walker Percy and Flannery O'Connor. Driven by arguments grounded in a wide variety of theoretical and critical positions, these essays offer a comprehensive and accessible discussion of Springsteen's oeuvre, from Greetings From Asbury Park, N.J. to Working on a Dream that will appeal to both specialist readers and Springsteen fans alike.
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Specificații

ISBN-13: 9780739145364
ISBN-10: 0739145363
Pagini: 316
Dimensiuni: 155 x 233 x 19 mm
Greutate: 0.47 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States

Cuprins

Acknowledgments
Note on the Lyrics
Introduction: The Bard of Asbury Park
Section 1: Reading Influence
Chapter 1: Endlessly Seeking: Springsteen and Percy's Quest for Possibility Among the Ordinary
Chapter 2: "On Blessing Avenue": Faith, Language, and a Search for Meaning In the Works of Bruce Springsteen and Walker Percy
Chapter 3: "The Flannery O'Connor of American Rock"
Section 2: Reading Place
Chapter 4: "Deliver me from nowhere": Place and Space in Bruce Springsteen's Nebraska
Chapter 5: Tracking Place and Identity in Bruce Springsteen's Tracks
Section 3: Reading Gender
Chapter 6: "Who's that girl?": Nostalgia, Gender, and Springsteen
Chapter 7: Growin' Up to be a Nothing Man: Masculinity, Community, and the Outsider in Bruce Springsteen's Songs
Chapter 8: "Like a vision she dances": Re-Visioning the Female Figure in the Songs of Bruce Springsteen
Section 4: Reading Philosophy and Religion
Chapter 9: A Covenant Reversed: Bruce Springsteen and the Promised Land
Chapter 10: Ironic Revelation in Bruce Springsteen
Chapter 11: "I'll work for your love": Springsteen and the Struggle for Authenticity
Chapter 12: 12."May your hope give us hope": The Rising as a Site of Mourning
Bibliography
About the Editors and Contributors
Music and Image Credits
Index

Recenzii

It is no longer surprising to see scholars devote themselves to the significance of Bruce Springsteen, whether as a performer, a poet, or a global cultural symbol. But it is indeed a pleasure to find the quality of such investigations so consistently impressive, probing, and often eloquent. This is a collection worthy of its subject. I know of no higher praise.
This collection focuses explicitly on Bruce Springsteen's literary connections: to the authors Flannery O'Connor, Walker Percy, and John Steinbeck (among others), and to the tensions in his songcraft, whether of rebellion and rootedness, or gender and blue-collar ethnic masculinity. In contrast to a discourse often filled with praise-song, these essays instead hone in on the artistic elements Springsteen wields to create moments of redemption for his everyday alienated working-class characters.
College-level music and literary collections alike will find this a winner!
Call it what you will -- hyperbolic, hagiographic, hilarious -- but Roxanne Harde and Irwin Streight, editors of Reading the Boss, liken their subject to a modern-day Shakespeare. Their introduction, "The Bard of Asbury Park," adumbrates some of the literary traits the two share; beyond a 2009 cover photo from Rolling Stone and its resemblance to the famous Chandos portrait of the Bard, there's Springsteen's abiding interest in loco-descriptive histories, or stories involving a particular place (i.e. Nebraska, Thunder Road, E Street), class struggle, song cycles and the fact that both the Boss and the Bard "offer a profound insight into the hungry human heart -- and Springsteen, arguably, with more breadth and depth than any other current American singer-songwriter" (6)....editors Harde and Streight have assembled some informative and insightful approaches to the Bard of the Garden State.