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Pitards: Penguin Modern Classics

Autor Georges Simenon
en Limba Engleză Paperback – 7 mar 2019
'Read him at your peril, avoid him at your loss' Sunday Times

Captain Lannec has finally managed to buy his own ship with the financial help of his in-laws, the Pitards - and they've never let him forget it. When his temperamental wife Mathilde insists on coming along on the ship's first voyage, Lannec becomes increasingly unnerved by her presence, especially when he receives an anonymous note saying he won't make it back to port. As they hit a storm in the Atlantic, jealousy, spite, snobbery and suspicion are churned up in the boat's stiflingly close quarters...

First published in 1935, The Pitards was one of the first novels Simenon wrote when he shelved his famous Maigret series in order to strike out in a new direction and make a name for himself as a literary writer. This gripping evocation of life at sea revolves around class and the tense unravelling of relationships, powerful themes that Simenon would return to throughout his writing career.
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Specificații

ISBN-13: 9780241325476
ISBN-10: 0241325471
Pagini: 144
Dimensiuni: 128 x 198 x 17 mm
Greutate: 0.11 kg
Editura: Penguin Books
Colecția Penguin Modern Classics
Seria Penguin Modern Classics

Locul publicării:London, United Kingdom

Notă biografică

Georges Simenon was born in Liège, Belgium, in 1903. An intrepid traveller with a profound interest in people, Simenon strove on and off the page to understand, rather than to judge, the human condition in all its shades. His novels include the Inspector Maigret series and a richly varied body of wider work united by its evocative power, its economy of means, and its penetrating psychological insight. He is among the most widely read writers in the global canon. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.

Recenzii

One of the greatest writers of the twentieth century...Simenon was unequalled at making us look inside, though the ability was masked by the brilliance at absorbing us obsessively in his stories.
Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity.
The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining.
A supreme writer . . . unforgettable vividness.