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Performing Femininity: Woman as Performer in Early Russian Cinema: KINO - The Russian and Soviet Cinema

Autor Rachel Morley
en Limba Engleză Hardback – 18 dec 2016
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."
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Specificații

ISBN-13: 9781784531591
ISBN-10: 1784531596
Pagini: 304
Ilustrații: 17 bw illus
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Seria KINO - The Russian and Soviet Cinema

Locul publicării:London, United Kingdom

Recenzii

Meticulously researched, elegantly written, and bristling with fascinating insights into pre-revolutionary Russian cinema and Russian women's history, Rachel Morley's excellent book joins the many seminal studies from I.B. Tauris's authoritative Kino series ... Offers useful insights for scholars and students investigating Russian cultural history, film, and gender studies.