Passing
Autor Nella Larsenen Limba Engleză Paperback – 24 apr 2003
Nella Larsen's powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today. A New York Times Editors’ Choice. Now a major motion picture starring Tessa Thompson and Alexander Skarsgård
One of The Atlantic’s Great American Novels of the Past 100 Years
Clare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to “pass” as a white woman. Clare’s childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare’s risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare’s interest in Irene turns into a longing for Irene’s black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling. This edition features a new introduction by Emily Bernard and notes by Thadious M. Davis.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Specificații
ISBN-10: 0142437271
Pagini: 320
Dimensiuni: 128 x 200 x 15 mm
Greutate: 0.14 kg
Editura: Penguin Books
Locul publicării:London, United Kingdom
Notă biografică
Emily Bernard is the author of Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. Her other books include Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten (2001), which was a New York Times Notable Book of the Year; Some of My Best Friends: Writers on Interracial Friendships (2004), chosen by the New York Public Library as a Book for the Teen Age; and Michelle Obama: The First Lady in Photographs (2009), a book she coauthored with Deborah Willis, which received a 2010 NAACP Image Award. Her essays have been published in several anthologies and journals, such as The American Scholar, Oxford American magazine, The Best American Essays, Best African American Essays, and The Best Creative Nonfiction. She is a professor of English and Critical Race and Ethnic Studies at the University of Vermont.
Thadious M. Davis is Geraldine R. Segal Professor of American Social Thought and Professor of English at the University of Pennsylvania and the author of Nella Larsen: Novelist of the Harlem Renaissance. She previously taught at Vanderbilt University, Brown University, and the University of North Carolina at Chapel Hill. She has been a fellow at the Newberry Library in Chicago, the Huntington Library in San Marino, California, and the Center for Scholars and Writers at the New York Public Library. She is the editor of the Penguin Classics edition of Nella Larsen’s Quicksand.
Recenzii
Cuprins
Suggestions for Further Reading
A Note on the Text
Part One: Encounter
Part Two: Re-Encounter
Part Three: Finale
Explanatory Notes
Descriere
Nella Larsen's distinctive and revealing novel about racial identity set in New York in 1929.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Passing features an introduction by Christa Holm Vogelius.
Irene Redfield, married to a successful physician, enjoys a comfortable life in Harlem, New York. Reluctantly, she renews her friendship with old school friend, Clare Kendry. Clare, who like Irene is light skinned, 'passes' as white and is married to a racist white man who has no idea about Clare's racial heritage. Even though Irene knows that reigniting her friendship with Clare will lead to trouble, she can't resist allowing Irene into her world. Irene in turn wants to rekindle her bonds with the African American community of her youth. As tensions mount between friends and between couples, this taut and mesmerizing narrative spins towards an unexpected end.