Our Spoons Came from Woolworths
Autor Barbara Comynsen Limba Engleză Paperback – 10 noi 2015
Sophia is twenty-one and naive when she marries fellow artist Charles. She seems hardly fonder of her husband than she is of her pet newt; she can t keep house (everything she cooks tastes of soap); and she mistakes morning sickness for the aftereffects of a bad batch of strawberries. England is in the middle of the Great Depression, and the money Sophia makes from the occasional modeling gig doesn t make up for her husband s indifference to paying the rent. Predictably, the marriage falters; not so predictably, Sophia s artlessness will be the very thing that turns her life around."
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Specificații
ISBN-13: 9781590178966
ISBN-10: 1590178963
Pagini: 224
Dimensiuni: 34 x 238 x 2 mm
Greutate: 0.23 kg
Editura: NEW YORK REVIEW OF BOOKS
ISBN-10: 1590178963
Pagini: 224
Dimensiuni: 34 x 238 x 2 mm
Greutate: 0.23 kg
Editura: NEW YORK REVIEW OF BOOKS
Descriere
Descriere de la o altă ediție sau format:
'Comyns's world is weird and wonderful . . . a neglected genius' LUCY SCHOLES, OBSERVER
'A curious hybrid: a mixture of domestic disaster, social commentary, comedy, and romance . . . ' KATHERINE A. POWERS, BARNES & NOBLE REVIEW
'I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else' MAGGIE O'FARRELL
Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s where poverty, babies (however much loved) and husband conspire to torment her.
Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic and comes to regret her marriage and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes . . .
'Comyns's world is weird and wonderful . . . a neglected genius' LUCY SCHOLES, OBSERVER
'A curious hybrid: a mixture of domestic disaster, social commentary, comedy, and romance . . . ' KATHERINE A. POWERS, BARNES & NOBLE REVIEW
'I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else' MAGGIE O'FARRELL
Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s where poverty, babies (however much loved) and husband conspire to torment her.
Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic and comes to regret her marriage and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes . . .
Recenzii
'I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else' Maggie O'Farrell
Pretty, unworldly Sophia is twenty-one and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, but comes to regret her marriage and her affair alike. However, virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes. Barbara Comyns' classic novel blends comedy and tragedy in an unforgettable, bewitching tale.
'A perpetual mad hatter's tea party' Kate Saunders
For anyone who is interested in stories of everyday concerns, poverty, marriage, love, happiness, fulfilment, peace or joy, this is the book for you
A curious hybrid: a mixture of domestic disaster, social commentary, comedy, and romance . . . What I find so really excellent in this novel, in addition to Comyns's powers of description and the slow fuse of her comedy, is her ability to show the cold world and its indecencies without spelling everything out . . .
Comyns's world is weird and wonderful . . . there's also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I'd go as far as to call her something of a neglected genius
I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else
Pretty, unworldly Sophia is twenty-one and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, but comes to regret her marriage and her affair alike. However, virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes. Barbara Comyns' classic novel blends comedy and tragedy in an unforgettable, bewitching tale.
'A perpetual mad hatter's tea party' Kate Saunders
For anyone who is interested in stories of everyday concerns, poverty, marriage, love, happiness, fulfilment, peace or joy, this is the book for you
A curious hybrid: a mixture of domestic disaster, social commentary, comedy, and romance . . . What I find so really excellent in this novel, in addition to Comyns's powers of description and the slow fuse of her comedy, is her ability to show the cold world and its indecencies without spelling everything out . . .
Comyns's world is weird and wonderful . . . there's also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I'd go as far as to call her something of a neglected genius
I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else