Optic Antics: The Cinema of Ken Jacobs
Editat de Michele Pierson, David E. James, Paul Arthuren Limba Engleză Hardback – 7 iul 2011
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Specificații
ISBN-13: 9780195384970
ISBN-10: 0195384970
Pagini: 312
Ilustrații: 48 illustrations
Dimensiuni: 254 x 180 x 25 mm
Greutate: 0.73 kg
Ediția:New.
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0195384970
Pagini: 312
Ilustrații: 48 illustrations
Dimensiuni: 254 x 180 x 25 mm
Greutate: 0.73 kg
Ediția:New.
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Above all else, Optic Antics has the rare distinction?
The contributors to Optic Antics are to be congratulated for chronicling the work of the artist Ken Jacobs and providing insightful interpretations of his extraordinary and multifaceted contributions to the art of the moving image. In his many films, performance works, and digital pieces, Jacobs has made a major contribution to contemporary art, and this book will be a real asset to scholars, artists, and curators.
Optic Antics gives Jacobs devotees like myself and new audiences alike the chance to understand Ken in full context. Forget essential, Ken Jacobs is seminal cinema.
The contributors to Optic Antics are to be congratulated for chronicling the work of the artist Ken Jacobs and providing insightful interpretations of his extraordinary and multifaceted contributions to the art of the moving image. In his many films, performance works, and digital pieces, Jacobs has made a major contribution to contemporary art, and this book will be a real asset to scholars, artists, and curators.
Optic Antics gives Jacobs devotees like myself and new audiences alike the chance to understand Ken in full context. Forget essential, Ken Jacobs is seminal cinema.
Notă biografică
Michele Pierson is on the faculty of the Film Studies Department at King's College London. She is the author of Special Effects: Still in Search of Wonder.David E. James is on the faculty of the School of Cinematic Arts at the University of Southern California. He is the author of Allegories of Cinema: American Film in the Sixties and The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles.Paul Arthur was Professor of English and Film Studies at Montclair State University. He is the author of Line Of Sight: American Avant-Garde Film Since 1965.