Name: Oedipus Trilogy
Price: 86.3 RON
Availability: OnlineOnly
Author: Sophocles
ISBN: 9781604596892

Oedipus Trilogy

Sophocles

en Limba Engleză Paperback – 18 feb 2009

Oedipus was the son of King Laius and Queen Jocasta. Before he was born, his parents consulted the Oracle at Delphi. The Oracle prophesied that Oedipus would murder his father and marry his mother. In an attempt to prevent this prophecy's fulfillment, Laius ordered Oedipus's feet to be bound together, and pierced with a stake. Afterwards, the baby was given to a herdsman who was told to kill him. Unable to go though with his orders, he instead gave the child to a second herdsman who took the infant, Oedipus, to the king of Corinth, Polybus. Polybus adopted Oedipus as his son. Oedipus was raised as the crown prince of Corinth. Many years later Oedipus was told that Polybus was not his real father. Seeking the truth, he sought counsel from an Oracle and thus started the greatest tragedy ever written.

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Notă biografică

Sophocles is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature Oedipus and Antigone: they are generally known as the Theban plays, though each was part of a different tetralogy (the other members of which are now lost). Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles by Aristotle; to Aeschylus by Themistius), thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights.