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No Longer Human: Cărți recomandate Osamu Dazai

Autor Osamu Dazai
Notă:  4.00 · 7 note 
en Limba Engleză Paperback – 31 ian 1973
Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a clown to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
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Specificații

ISBN-13: 9780811204811
ISBN-10: 0811204812
Pagini: 176
Dimensiuni: 134 x 203 x 14 mm
Greutate: 0.25 kg
Ediția:Revised
Editura: NEW DIRECTIONS
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Descriere

Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.


Recenzii

"Today, such a writer might be castigated, condemned and turned into an instant pariah: Perhaps his books would be taken from bookshops. Yet when Osamu Dazai's short, electrifying novel, "Ningen Shikkaku" (No Longer Human) was published in 1948, it triggered a huge "Dazai Boom."…" —Damian Flanagan, The Japan Times: "A journey to hell with Osamu Dazai, Japan's ultimate bad boy novelist"

"Dazai's brand of egoistic pessimism dovetails organically with the emo chic of this cultural moment…and with the inner lives of teenagers of all eras." — Andrew Martin, The New York Times

The Cult Classic That Captures the Stress of Social Alienation… The Japanese novelist Osamu Dazai wrote, better than almost anyone, about the thin line between isolation and belonging." —Jane Yong Kim, The Atlantic