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Musical Forces: Indiana University Press

Autor Steve Larson
en Limba Engleză Hardback – 31 ian 2012
Steve Larson draws on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence - as well as his skill as a jazz pianist - to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explains how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrates how rhythm and meter arise from, and are given meaning by, these same musical forces.
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Specificații

ISBN-13: 9780253356826
ISBN-10: 0253356822
Pagini: 392
Ilustrații: 10 b&w illustrations, 71 music excerpts
Dimensiuni: 159 x 233 x 38 mm
Greutate: 0.73 kg
Editura: Indiana University Press
Colecția Indiana University Press
Seria Indiana University Press


Cuprins

Acknowledgments; Preface1. Introduction I. A Theory of Musical Forces 2. Thinking About Music and Thinking In Music--Pattern, Meaning, Analogy, Metaphor, and Hierarchies; 3. Something in the Way She Moves--The Metaphor of Musical Motion; 4. Melodic Forces--Gravity, Magnetism, and Inertia; 5. A Theory of Melodic Expectation; 6. Rhythm, Meter, and Musical Forces; 7. Analyses II. Evidence for Musical Forces 8. Converging Evidence--An Introduction to Part Two; 9. Evidence from Experiments in Visual-Perception and Neuroscience; 10. Evidence from Compositions and Improvisations; 11. Evidence from Music-Theoretical Misunderstandings; 12. Evidence from a Listener-Judgment Experiment; 13. Evidence from Comparing Computer Models With Production-Experiment Results III. Conclusion 14. Summary and ProspectsGlossary; Notes; Bibliography; Index

Recenzii

Steve Larson distinguishes between thinking in music and thinking about music, and it is clear from his final opus that he did both very well. With striking originality, this book reconciles "conflicts" between music-cognitive principles and Schenkerian music analysis, and shows how metaphors and physical embodiment inform our musical expectations. This book may change what you think about how music moves.--Elizabeth West Marvin, Professor of Music Theory, Eastman School of Music and Brain & Cognitive Sciences, University of Rochester

Descriere

Details how and why music moves us