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Music Lessons de Pierre Boulez

Music Lessons

Autor Pierre Boulez Traducere de Arnold Whittall, Jonathan Dunsby, Jonathan Goldman
en Limba Engleză Hardback – noi 2018

După parcurgerea acestui volum monumental, cititorul va dobândi o înțelegere profundă a mecanismelor intelectuale din spatele compoziției contemporane, reușind să descifreze legătura dintre rigoarea tehnică și intuiția artistică. În Music Lessons, observăm o sinteză rară a gândirii teoretice aplicate, rezultată din cele două decenii în care Pierre Boulez a deținut catedra de „Invenție, tehnică și limbaj” la Collège de France. Textul nu este doar o expunere academică, ci o mărturie vie a unui compozitor-dirijor care a modelat estetica secolului XX.

Structura cărții urmărește o progresie logică, de la „Preliminarii” despre limbajul muzical, până la analize complexe despre „Memorie, scriere și formă”. Găsim în aceste pagini o abordare critică a conservatorismului muzical, Boulez provocând constant limitele notației și ale sistemului. Această lucrare completează excelent volumul The Musical Language of Pierre Boulez de Jonathan Goldman, oferind sursa primară a ideilor pe care Goldman le analizează critic, adăugând contextul direct al vocii autorului și al experienței sale de la pupitrul dirijoral.

Suntem de părere că valoarea acestui titlu rezidă în modul în care Boulez raportează propriile creații la marii predecesori, de la J. S. Bach la Mahler, oferind un ritm narativ alert, punctat de opinii tăioase și un spirit analitic necruțător. Față de scrierile sale timpurii din Stocktakings, unde tonul era adesea polemic și explorator, Music Lessons prezintă un Boulez matur, așezat, care își sistematizează întreaga filosofie despre gestul compozițional și relația dintre ochi și ureche.

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Specificații

ISBN-13: 9780571334278
ISBN-10: 057133427X
Pagini: 688
Dimensiuni: 159 x 241 x 60 mm
Greutate: 1.16 kg
Ediția:Main
Editura: FABER & FABER

De ce să citești această carte

Recomandăm această carte oricărui muzician, compozitor sau meloman avansat care dorește să înțeleagă arhitectura sunetului dincolo de partitură. Cititorul câștigă acces la laboratorul mental al unuia dintre cei mai influenți gânditori ai muzicii moderne, învățând să privească actul de creație ca pe o negociere continuă între memorie, tehnică și inovație radicală. Este o resursă esențială pentru studiul esteticii muzicale contemporane.

Despre autor

Pierre Boulez (1925–2016) a fost o figură centrală a muzicii culte postbelice, manifestându-se ca un compozitor inovator, dirijor de talie mondială și teoretician influent. Fondator al IRCAM în Paris, Boulez a redefinit serialismul și muzica electronică, fiind recunoscut pentru precizia sa analitică și pentru promovarea repertoriului modern. Cariera sa lungă și polivalentă l-a plasat în centrul dezbaterilor despre evoluția limbajului muzical, fiind unul dintre puținii artiști care au reușit să îmbine rigoarea academică de la Collège de France cu succesul pe marile scene ale lumii.

Descriere

First publication in English of an extraordinary and prestigious series of Lectures given by Pierre Boulez, arguably the most influential composer of the second half of the last century.

Notă biografică

Pierre Boulez (1925–2016) was a French composer, conductor, and music theorist. He conducted with major orchestras in the United States and Europe, including the Cleveland Orchestra, the BBC Symphony Orchestra, the New York Philharmonic, the Chicago Symphony, and the Berlin Philharmonic. Jonathan Dunsby is professor of music theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is professor of musicology at the Université de Montréal. Arnold Whittall is emeritus professor of music at King’s College London.

Cuprins

Preface by Jonathan Goldman
Pierre Boulez, Lecturer by Jean-Jacques Nattiez

Part 1: Preliminaries

1 Invention, Technique and Language (1976)
2 Invention/Research (1976)

Part 2: From Work to Idea

3 Idea, Realisation, Craft (1977–78)
4 Language, Material and Structure (1978–79)

Part 3: The Composer’s Gesture

5 Composition and Its Various Gestures (1979–80)
6 Automatism and Decision (1980–81)

Part 4: The Problem of Thematics

7 The Notion of Theme and Its Evolution (1982–83)
8 Theme, Variations and Form (1983–84)
9 Athematicism, Identity and Variation (1984–85)

Part 5: The Eye and the Ear

10 The System and the Idea (1985–86)
11 Between Order and Chaos (1987–88)

Part 6: Memory, Writing and Form

12 Memory and Creation (1988–90)
13 The Concept of Writing (1990–91)
14 Notation, Transcription, Invention (1991–92)
15 Writing and Idea (1992–93)
16 The Work: Whole or Fragment? (1994–95)

Index
 

Recenzii

"Readers can now take stock of the daunting, demanding Boulezian worldview and, whether they warm to his own works or not, appreciate him as one of the most important writers ever about music. Although Boulez was to live over 20 years after the final lecture, Music Lessons has the feel of a vast expository Gesamtkunstwerk that ponders and probes musical experience to its very essence. It ranges over music’s fundamental building blocks — its modes of organization and how we perceive it, both acoustically and culturally—to how memory both aids and interferes with the process of cognition, and on to matters of notation, style, idea, technology and tradition."

“What is most refreshing in Boulez’s writings is the unfashionable ambition of his questions. . . . Many passages here show him as one of the best thinkers of musical creativity of the past hundred years.”  

"Music Lessons provides English-language readers with the fullest document yet of the mature Boulez’s musical thought: his approach to composition, his analysis of his predecessors’ work, and his attitudes toward many sectors of twentieth-century musical activity. It is an important publication, especially because I believe it casts doubt on the notion that Boulez grew wiser or more generous with age. This book embodies his every paradox: he is both discerning and myopic, clever and needlessly cruel, capable of moments of thrilling clarity as well as long stretches full of bland, arid tautologies. . . . As his era recedes, it feels newly possible to take stock of both his strengths and his limitations."

"Boulez spent his career writing and composing with intensity, and Music Lessons clearly demonstrates his ability to explain the music art form to everyone, whether they are musicians or not. Boulez was and remains an inspiration to those who call themselves artists, and Music Lessons makes his teachings more accessible than ever as the first publication in English of his groundbreaking Collège de France lectures. This book is recommended for all music lovers, from professionals to the casual listener."

“The long-awaited English translation of Pierre Boulez’s Collège de France lectures is a major event. Comprehensive and incisive, his brilliance tempered by wisdom and profound experience, Boulez gives essential insight into the craft of composition.”

“Not since the nineteenth century has a composer of major stature written so eloquently, elegantly, and profoundly as Boulez did in these leçons. They read, engagingly, like a journal of discovery, evolution, and defining of a personal artistic aesthetic. From iconoclastic enfant terrible of the European avant-garde to the equally demanding but avuncular orchestra maestro, Boulez insists (autocratically) on the obligation of composer, performer, and listener to think about music, not just feel it. The translations are rendered sensitively and comprehensively, resulting in a book of historical significance.”

“While also picking up steam as a composer, appearing internationally as a conductor, and leading a computer music lab in Paris, Pierre Boulez in his fifties and sixties was bringing his theoretical contemplations to a summit in the lectures contained in this volume. This is a book to set beside Schoenberg’s Style and Idea as one of the great documents of musical thought from the last century, essential reading for young composers and all who are concerned with where we are musically, how we got here, and whither we might go.”

“This collection of essays by one of the crucially important figures in postwar contemporary music, representative of a renaissance in Boulez’s critical writing, illuminates far more than his musical oeuvre alone. These lectures exemplify the ways in which incisive musical thought can create a compelling staging ground for understanding the critical cultural, historical, philosophical, technological, and social issues of our time.”

"That Boulez was a major figure in post WWII twentieth-century music is indisputable. This book demonstrates the depth and breadth of his contemplation of musical topics over a period of nineteen years of lectures at the Collège de France. . . . Boulez offers profound insight into his thinking as he approached compositional problems. . . . I would recommend this book to anyone interested in Boulez and to those interested in late-twentieth-century serial composition."