Music and Instruments of the Middle Ages – Essays in Honour of Christopher Page: Studies in Medieval and Renaissance Music

Tess Knighton, David Skinner

Introduction - Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover - Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria - Manuel Pedro Ferreira The estampies of Douce 308 - Elizabeth Eva Leach Anonymous IV and the Antiqui - Rob C. Wegman The Development of the Latin Liturgical Psalter in England - John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi? - Crawford Young The Variable-Voice Conductus - Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England - Lisa Colton Super omnes speciosa: Machaut Reading Vitry - Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet - Lawrence Earp La belle se siet: Where Dufay and Josquin Meet - David Fallows In Search of Medieval Music in Non-Western Countries - Anna Maria Busse Berger Where Did Our Musical Instruments Come From? - Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500 - Keith Polk Non-mensural Polyphony: Performing Plainsong - Reinhard Strohm 'Übersingen' and 'Quintieren': Non-Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg - Marc Lewon From Page to Sound: Performing the Masses of Walter Frye - Andrew Kirkman