Much Ado About Nothing: A Critical Reader
Editat de Dr. Deborah Cartmell, Peter J. Smithen Limba Engleză Hardback – 8 feb 2018
Moving through to four new critical essays, the guide opens up fresh perspectives, including contemporary directors' deployment of older actors within the lead roles, the play's relationship to Love's Labour's Lost, its presence on Youtube and the ways in which tales and ruses in the play belong to a wider concern with varieties of crime.
The volume finishes with a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.
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Specificații
ISBN-13: 9781474284370
ISBN-10: 147428437X
Pagini: 280
Dimensiuni: 134 x 206 x 22 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 147428437X
Pagini: 280
Dimensiuni: 134 x 206 x 22 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Cuprins
Series Introduction
Timeline
Introduction: Deborah Cartmell (De Montfort University, UK) and Peter J. Smith (Nottingham Trent University, UK)
The Critical Backstory: Alison Findlay (Lancaster University, UK)
Performance History: Kathryn Prince (University of Ottawa, Canada)
The State of the Art: Elinor Parsons (De Montfort University, UK)
New Directions: Vile Tales in Much Ado About Nothing: Duncan Salkeld (University of Chichester, UK)
New Directions: Much Ado About Aging: Liz Schafer (Royal Holloway, University of London, UK)
New Directions: Much Ado or Love's Labour's Won? Does it Matter Which?: Lois Potter (University of Delaware, USA)
New Directions: YouTube Much Ado: Christy Desmet (University of Georgia, USA)
'How apt it is to learn': Resources for Staging, Studying, and Teaching Much Ado About Nothing: Brett Hirsch (University of Western Australia) and Sarah Neville (Ohio State University, USA)
Bibliography
Index
Timeline
Introduction: Deborah Cartmell (De Montfort University, UK) and Peter J. Smith (Nottingham Trent University, UK)
The Critical Backstory: Alison Findlay (Lancaster University, UK)
Performance History: Kathryn Prince (University of Ottawa, Canada)
The State of the Art: Elinor Parsons (De Montfort University, UK)
New Directions: Vile Tales in Much Ado About Nothing: Duncan Salkeld (University of Chichester, UK)
New Directions: Much Ado About Aging: Liz Schafer (Royal Holloway, University of London, UK)
New Directions: Much Ado or Love's Labour's Won? Does it Matter Which?: Lois Potter (University of Delaware, USA)
New Directions: YouTube Much Ado: Christy Desmet (University of Georgia, USA)
'How apt it is to learn': Resources for Staging, Studying, and Teaching Much Ado About Nothing: Brett Hirsch (University of Western Australia) and Sarah Neville (Ohio State University, USA)
Bibliography
Index
Recenzii
A commendably comprehensive guide to textual and performance scholarship on the play.