Mornings in Mexico
Autor D. H. Lawrenceen Limba Engleză Paperback – 19 sep 2012
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (3) | 53.92 lei 6-8 săpt. | |
| Outlook – 19 sep 2012 | 181.42 lei 3-5 săpt. | |
| Bloomsbury Publishing – 22 sep 2009 | 53.92 lei 6-8 săpt. | |
| Fredonia Books (NL) – 31 iul 2003 | 94.21 lei 6-8 săpt. | |
| Hardback (1) | 108.75 lei 6-8 săpt. | |
| Benediction Classics – 8 mai 2012 | 108.75 lei 6-8 săpt. |
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Specificații
ISBN-13: 9783846005491
ISBN-10: 3846005495
Pagini: 188
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.25 kg
Ediția:1. Auflage.
Editura: Outlook
ISBN-10: 3846005495
Pagini: 188
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.25 kg
Ediția:1. Auflage.
Editura: Outlook
Descriere
Descriere de la o altă ediție sau format:
'If you read only one book of travellers' tales on Mexico, it must be this one. A magnificent blood-and-ganglion pagan response to the primeval savagery south of the Rio Grande.' - Frank McLynn, Top Ten Books, The Guardian
Much of D.H. Lawrence's life was defined by his passion for travel, and it was those peripatetic wanderings that gave life to some of his greatest novels. In the 1920s Lawrence travelled several times to Mexico, where he was fascinated by the clash of beauty and brutality, purity and darkness that he observed there.
The diverse and evocative essays that make up Mornings in Mexico - A Little Moonshine with Lemon, Dance of the Sprouting Corn, Corasmin and the Parrots - wander from an admiring portrayal of the Indian way of life to a visit to the studio of Diego Rivera. They are brightly adorned with simple and evocative details sharply observed: piles of fruit in a village market, strolls in a courtyard filled with hibiscus and roses, the play of light on an adobe wall.
It was during his time in Mexico that Lawrence re-wrote The Plumed Serpent, which is infused with his own experiences there. To read Mornings in Mexico is thus to discover the inspiration behind of one of Lawrence's most loved works and to be immersed in a portrait of the country like no other.
'If you read only one book of travellers' tales on Mexico, it must be this one. A magnificent blood-and-ganglion pagan response to the primeval savagery south of the Rio Grande.' - Frank McLynn, Top Ten Books, The Guardian
Much of D.H. Lawrence's life was defined by his passion for travel, and it was those peripatetic wanderings that gave life to some of his greatest novels. In the 1920s Lawrence travelled several times to Mexico, where he was fascinated by the clash of beauty and brutality, purity and darkness that he observed there.
The diverse and evocative essays that make up Mornings in Mexico - A Little Moonshine with Lemon, Dance of the Sprouting Corn, Corasmin and the Parrots - wander from an admiring portrayal of the Indian way of life to a visit to the studio of Diego Rivera. They are brightly adorned with simple and evocative details sharply observed: piles of fruit in a village market, strolls in a courtyard filled with hibiscus and roses, the play of light on an adobe wall.
It was during his time in Mexico that Lawrence re-wrote The Plumed Serpent, which is infused with his own experiences there. To read Mornings in Mexico is thus to discover the inspiration behind of one of Lawrence's most loved works and to be immersed in a portrait of the country like no other.
Cuprins
Foreword by Michael Squires
Corasmin and the Parrots
Walk to Huayapa
The Mozo
Market Day
Indians and Entertainment
Dance of the Sprouting Corn
The Hopi Snake Dance
A Little Moonshine with Lemon
Corasmin and the Parrots
Walk to Huayapa
The Mozo
Market Day
Indians and Entertainment
Dance of the Sprouting Corn
The Hopi Snake Dance
A Little Moonshine with Lemon
Recenzii
He wrote something like three dozen books, of which even the worst pages dance with like that could be mistaken for no other man's, while the best are admitted, even by those who hate him, to be unsurpassed.
He is an extraordinarily acute noticer of the world, human and natural. And it is not just the natural world that beckons Lawrence to flood it with beautiful language... he can be as precise and compact an observer of human interaction as Flaubert or Forster.
He is an extraordinarily acute noticer of the world, human and natural. And it is not just the natural world that beckons Lawrence to flood it with beautiful language... he can be as precise and compact an observer of human interaction as Flaubert or Forster.
Notă biografică
David Herbert Richards "D. H." Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation."
Lawrence is perhaps best known for his novels Sons and Lovers, The Rainbow, Women in Love and Lady Chatterley's Lover. Within these Lawrence explores the possibilities for life within an industrial setting. In particular Lawrence is concerned with the nature of relationships that can be had within such a setting. Though often classed as a realist, Lawrence in fact uses his characters to give form to his personal philosophy. His depiction of sexual activity, though seen as shocking when he first published in the early 20th century, has its roots in this highly personal way of thinking and being. It is worth noting that Lawrence was very interested in the sense of touch and that his focus on physical intimacy has its roots in a desire to restore an emphasis on the body, and re-balance it with what he perceived to be Western civilisation's over-emphasis on the mind.