Medialogies: Reading Reality in the Age of Inflationary Media: Political Theory and Contemporary Philosophy
Autor David R. Castillo, William Eggintonen Limba Engleză Paperback – 17 noi 2016
Medialogies offers a highly innovative approach to the contemporary construction of reality in cultural, political, and economic domains. Castillo and Egginton, both luminary scholars, combine a very accessible style with profound theoretical analysis, relying not only on works of philosophy and political theory but also on novels, Hollywood films, and mass media phenomena. The book invites us to reconsider the way reality is constructed, and how truth, sovereignty, agency, and authority are understood from the everyday, philosophical, and political points of view. A powerful analysis of actuality, with its roots in early modernity, this work is crucial to understanding reality in the information age.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 198.83 lei 6-8 săpt. | |
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| Bloomsbury Publishing – 17 noi 2016 | 856.56 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781628923599
ISBN-10: 1628923598
Pagini: 288
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Political Theory and Contemporary Philosophy
Locul publicării:New York, United States
ISBN-10: 1628923598
Pagini: 288
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Political Theory and Contemporary Philosophy
Locul publicării:New York, United States
Cuprins
Acknowledgments
Introduction: Medialogies
Part I: Inflationary Media
1. Editing Reality
2. A New Perspective
3. Theatricality
4. Commodity-Spectacles
5. How to Turn Things into Copies, and Copies into Things
Part II: Fundamentals
6. Ineffable Me
7. Foundations
8. Freedom for Sale
9. Crime Shows
10. Political Theater
11. Monumental Screens
12. The New Fundamentals
Part III: Exclusions
13. Terrifying Vistas of Reality
14. Dreamboat Vampires and Zombie Capitalists
15. The Global Undead
16. Dark Mirrors
17. Apocalypse Then and Now
Part IV: In Defense of Being
18. Minor Strategies
19. Stranger Than Fiction
20. Truth and Lies in Life and Art
21. Staging the Event
22. The Architecture of Mourning
23. Occupy and Resist
24. New Empires
Epilogue
Introduction: Medialogies
Part I: Inflationary Media
1. Editing Reality
2. A New Perspective
3. Theatricality
4. Commodity-Spectacles
5. How to Turn Things into Copies, and Copies into Things
Part II: Fundamentals
6. Ineffable Me
7. Foundations
8. Freedom for Sale
9. Crime Shows
10. Political Theater
11. Monumental Screens
12. The New Fundamentals
Part III: Exclusions
13. Terrifying Vistas of Reality
14. Dreamboat Vampires and Zombie Capitalists
15. The Global Undead
16. Dark Mirrors
17. Apocalypse Then and Now
Part IV: In Defense of Being
18. Minor Strategies
19. Stranger Than Fiction
20. Truth and Lies in Life and Art
21. Staging the Event
22. The Architecture of Mourning
23. Occupy and Resist
24. New Empires
Epilogue
Recenzii
Following the views of postmodern theorists that the media now represent a hyperreal world, one that is constructed/configured by media impressions of reality, the authors see the media as arbiters and editors of a world presented as a commodity to a public. They wed such perspectives to the growth of modernism, individualism, science's power to render things objectively, and the agency of artists to render the world subjectively . Extending into today's politics, politicians like Trump copy images of America's past to apply to America's future. Media participate in acts of transformative reality, a series of codes parsing the world for personal consumption, making the real world I-world.
Every epoch demands, expresses, and is determined by a book. Most of the time these texts are noticed years after the fact, as it takes generations of scholars and readers to acknowledge the extent to which they capture that epoch. But Medialogies, like Deleuze and Guattari's A Thousand Plateaus or Hardt and Negri's Empire, will have an immediate impact. The argument that humanities are not a luxury is in itself not new; but this book shows that they have become vital to our very survival as a species precisely because of how media frame, politically and culturally, our conception of reality. If Castillo and Egginton manage to express these theses with examples from TV series like True Blood, political events like the Occupy movement, or such writers as Borges, it is not only because they are brilliant academics, but most of all because they are true intellectuals, something that has become rare in the 21st century.
This volume pushes the boundaries of scholarship across an impressive subject range. Castillo and Egginton have constructed an adventurous set of ideas that provide challenging new insights into the ways the various media plays a key role in the formation of our contemporary reality.
Every epoch demands, expresses, and is determined by a book. Most of the time these texts are noticed years after the fact, as it takes generations of scholars and readers to acknowledge the extent to which they capture that epoch. But Medialogies, like Deleuze and Guattari's A Thousand Plateaus or Hardt and Negri's Empire, will have an immediate impact. The argument that humanities are not a luxury is in itself not new; but this book shows that they have become vital to our very survival as a species precisely because of how media frame, politically and culturally, our conception of reality. If Castillo and Egginton manage to express these theses with examples from TV series like True Blood, political events like the Occupy movement, or such writers as Borges, it is not only because they are brilliant academics, but most of all because they are true intellectuals, something that has become rare in the 21st century.
This volume pushes the boundaries of scholarship across an impressive subject range. Castillo and Egginton have constructed an adventurous set of ideas that provide challenging new insights into the ways the various media plays a key role in the formation of our contemporary reality.