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Marina Carr de Marina Carr

Marina Carr: Faber & Faber

Autor Marina Carr
en Limba Engleză Paperback – 17 sep 2015
This third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Company's premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015. Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov's short life and work.
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Specificații

ISBN-13: 9780571328819
ISBN-10: 0571328814
Pagini: 352
Dimensiuni: 123 x 198 x 25 mm
Greutate: 0.28 kg
Ediția:Main
Editura: FABER AND FABER
Colecția Faber & Faber
Seria Faber & Faber

Notă biografică

Brought up in County Offaly, Marina Carr graduated form University College Dublin in 1987 with a degree in English and Philosophy. She was Writer-in-Residence at the Abbey and Trinity College Dublin. Her plays include The Cordelia Dream (RSC), Marble (Abbey, Teatro Vascello Rome), 16 Possible Glimpses (Abbey), Phaedra Backwards (Mccarter Princeton), On Raftery's Hill (Royal Court, London), Portia Coughlan (Royal Court and the Abbey Dublin), By the Bog of Cats (Abbey, Dublin and Wyndham's Theatre, London), The Mai (Peacock, Dublin/Abbey, Dublin/Tricycle/McCarter, Princeton), Low In The Dark (Project Arts Centre, Dublin), Ullaloo (Abbey, Dublin Theatre Festival), Ariel (Abbey), and two plays for children, As Meat Is To Salt (Abbey) and The Giant Blue Hand (The Ark). Awards include Irish Times Playwright Award 1998, The Susan Smith Blackburn Award for Portia Coughlan, Best New Irish Play at Dublin Theatre Festival 1994, The EM Foster Prize from the American Academy of Arts and Letters and the American/ Ireland Fund Award, The Macaulay Fellowship and The Hennessy Award. She is a member of Aosdana.

Recenzii

"Low in the Dark""One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of language and religious imagery is exposed . . . A playwright to be watched."--"The Sunday Tribune""Patricia Coughlan""A play of precocious maturity and accomplishment."--"The Irish Times""By the Bog of Cats""A piece of poetic realism steeped in the past . . . an extraordinary ability to move between the mythic and the real."--"The Guardian ""The Mai""The writing is at once gentle and raucous . . . capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill." --"The Observer"