Manga: An Anthology of Global and Cultural Perspectives
Editat de Toni Johnson-Woodsen Limba Engleză Paperback – 17 iun 2010
Manga roughly translates as "whimsical pictures" and its long history can be traced all the way back to picture books of eighteenth century Japan. Today, it comes in two basic forms: anthology magazines (such as Shukan Shonen Jampu) that contain several serials and manga 'books' (tankobon) that collect long-running serials from the anthologies and reprint them in one volume. The anthologies contain several serials, generally appear weekly and are so thick, up to 800 pages, that they are colloquially known as phone books. Sold at newspaper stands and in convenience stores, they often attract crowds of people who gather to read their favorite magazine.
Containing sections addressing the manga industry on an international scale, the different genres, formats and artists, as well the fans themselves, Manga: An Anthology of Global and Cultural Perspectives is an important collection of essays by an international cast of scholars, experts, and fans, and provides a one-stop resource for all those who want to learn more about manga, as well as for anybody teaching a course on the subject.
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Specificații
ISBN-13: 9780826429384
ISBN-10: 0826429386
Pagini: 368
Ilustrații: 11
Dimensiuni: 167 x 227 x 22 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
ISBN-10: 0826429386
Pagini: 368
Ilustrații: 11
Dimensiuni: 167 x 227 x 22 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
Cuprins
Introduction
Section One: The Industry
The History of Manga - Jean-Marie Bouissou
Manga in Asia - John A. Lent
Manga in Europe - Paul M. Malone
Understanding Manga Merchandising: An Australian Case
Study - Jason Bainbridge and Craig Norris
Shakespeare as Manga - Emma Hayley
Globalizing from Japan to Hong Kong and Beyond -
Wendy Siuyi Wong
Manga and the Critics - Toni Johnson-Woods
Section Two: The Genres & Formats & Artists
Overview of Manga Genres - Mio Bryce and Jason Davis
Ryori Manga - Lorie Brau
Shojo Manga at Home and Abroad - Jennifer Prough
Beautiful Boys in Japanese Women's Comics - Mark
McClelland
Meanings of Manga - Neil Cohn
The Aesthetics of Manga - Christopher Couch
Visual Representations and Manga - Craig Norris
A Look at Takahashi Rumiko, Watase Yu, Shinohara
Chie, Hikawa Kyoko, Itsuki Natsumi - Mio Bryce
Osamu Tezuka and Family: Early Pioneers of Manga -
Wendy Goldberg
Miuchi Suzue and Intertextuality - Rebecca Suter
Miyasaki's Nausicaa of the Valley of the Wind: Manga
into Anime and Its Reception - Marc Hairston
Section Three: The Fans
Fandom in Germany, Italy and France - Bouissou, Pellitteri
and Dolle-Weinkauff
Scanlation - James Rampant
American Otaku and the Search for the Authentic Text -
Stacy Rue
Conclusion
Section One: The Industry
The History of Manga - Jean-Marie Bouissou
Manga in Asia - John A. Lent
Manga in Europe - Paul M. Malone
Understanding Manga Merchandising: An Australian Case
Study - Jason Bainbridge and Craig Norris
Shakespeare as Manga - Emma Hayley
Globalizing from Japan to Hong Kong and Beyond -
Wendy Siuyi Wong
Manga and the Critics - Toni Johnson-Woods
Section Two: The Genres & Formats & Artists
Overview of Manga Genres - Mio Bryce and Jason Davis
Ryori Manga - Lorie Brau
Shojo Manga at Home and Abroad - Jennifer Prough
Beautiful Boys in Japanese Women's Comics - Mark
McClelland
Meanings of Manga - Neil Cohn
The Aesthetics of Manga - Christopher Couch
Visual Representations and Manga - Craig Norris
A Look at Takahashi Rumiko, Watase Yu, Shinohara
Chie, Hikawa Kyoko, Itsuki Natsumi - Mio Bryce
Osamu Tezuka and Family: Early Pioneers of Manga -
Wendy Goldberg
Miuchi Suzue and Intertextuality - Rebecca Suter
Miyasaki's Nausicaa of the Valley of the Wind: Manga
into Anime and Its Reception - Marc Hairston
Section Three: The Fans
Fandom in Germany, Italy and France - Bouissou, Pellitteri
and Dolle-Weinkauff
Scanlation - James Rampant
American Otaku and the Search for the Authentic Text -
Stacy Rue
Conclusion