Machine-Readable Faces: Pixels, Proxies, Praxes: Routledge/FACETS Advances in Face Studies
Autor Cristina Votoen Limba Engleză Hardback – 5 aug 2026
Along this trajectory, facial archives, large-scale image datasets, and training processes within computational infrastructures are analysed at the intersection of visual culture and computational modelling. The book develops a theoretical framework centred on three operative praxes—modelling, archiving, and tagging—through which facial images function as both meta-linguistic operators and infrastructural agents of recognition. This framework offers a critical rearticulation of the epistemological and cultural implications of data-driven identity.
Grounded in an interdisciplinary exchange, the book will interest scholars and graduate students working on machine vision, digital culture, and the philosophy of technology, as well as those engaged in visual culture, media sociology, and feminist and gender studies.
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Specificații
ISBN-13: 9781032728698
ISBN-10: 1032728698
Pagini: 208
Ilustrații: 12
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge/FACETS Advances in Face Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032728698
Pagini: 208
Ilustrații: 12
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge/FACETS Advances in Face Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Academic, Postgraduate, and Undergraduate AdvancedCuprins
Foreword by Morgan Klaus Scheuerman; Introduction: The machine-readable Face; 1. The Emergence of the Facial Image: From Recognition to Digitisation and Back Again; 2. Facial Images as Identity Proxies: From Operability to Digital Re-embodiment; 3. Transition: Reverse Engineering: From Proxies to Praxes; 4. Ratio; 5. Spatio; 6. Dispositio; Conclusions: Lines of Flight of Recognition
Notă biografică
Cristina Voto is an Assistant Professor in the Department of Human Studies at the University of Turin, Italy. She is a member of the doctoral board of the Diseño y Creación program at Universidad de Caldas (Colombia) and of the Artes y Tecno-Estéticas program at Universidad Nacional de Tres de Febrero (Argentina), and serves as Vice President of the Latin American Federation of Semiotics. Her research focuses on visual semiotics at the intersection of the philosophy of technology and gender studies. She has published across these fields, including articles, edited volumes, and the monograph Monstruos audiovisuales. Agentividad, movimiento y morfología (Aracne, 2021). She has collaborated with universities and artistic institutions, including Vrije Universiteit Amsterdam, Universidad Autónoma de Madrid, the University of the West of England, Universidad de Buenos Aires, Universidad Jorge Tadeo Lozano, Universidad Nacional de Colombia, and the Bienal de la Imagen en Movimiento.
Descriere
This book investigates how facial images have been operationalised, reshaping the conditions under which identity becomes intelligible and computable. It will interest machine vision, digital culture, and the philosophy of technology, as well as those engaged in visual culture, media sociology, and feminist and gender studies.