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Digital Faces: A Semiotic Journey from Art to Artificial Intelligence de Massimo Leone

Digital Faces: A Semiotic Journey from Art to Artificial Intelligence: Routledge/FACETS Advances in Face Studies

Editat de Massimo Leone
en Limba Engleză Hardback – 18 dec 2026
Digital Faces examines the face as a central site in the production, interpretation, and transformation of visual meaning. Bringing together international perspectives in semiotics, visual studies, philosophy of communication, art history, and digital media, the volume investigates how faces are perceived, represented, classified, manipulated, and technologically generated.
 
The chapters explore the relations between visual cognition and representation across artistic, cultural, scientific, and computational contexts. Particular attention is devoted to the ways in which established traditions of facial depiction interact with photography, digital imaging, algorithmic processing, and artificial intelligence. The volume thus addresses both the persistence of inherited visual conventions and the emergence of new forms of facial visibility, recognition, and signification.
 
Combining theoretical reflection with the analysis of a wide range of images and media, Digital Faces offers an interdisciplinary account of the changing semiotics of the face. It will be of interest to scholars and students of semiotics, visual communication, digital media, philosophy of communication, art history, digital humanities, and visual culture.
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Specificații

ISBN-13: 9781041053286
ISBN-10: 1041053282
Pagini: 240
Ilustrații: 112
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge/FACETS Advances in Face Studies

Locul publicării:Oxford, United Kingdom

Public țintă

Academic, Postgraduate, and Undergraduate Advanced

Cuprins

Foreword; 1. Introduction; 2. Body, Head and Eye: The Articulation of the Iconic Sign; 3. The Analysis and Generation of Images via Algorithmic Processes; 4. Face the Face: Experiments in Digital Media and Interface Design; 5. Facial Oracularity: Beyond What Artificial Intelligences Already Tell Us; 6. What Artificial Intelligence Tells Us About Ourselves: Starting from the Experience of FACETS and FRESCO; 7. Why Do Robots Have Faces? A Cognitive Semiotic Perspective on Humanlikeness in Robots; 8. The Within of the Face: Visages and Subjectivity in Digital Games and Virtual Realities; 9. The Kinetic Diagrams of Interactive Images. How the Figurative Density of Motion and Visual Icons Structures the Meaning of Video Games; 10. Aliens, Robots, Imposters: Cognitive Semiotics of Faces in Capgras Delusion; 11. Reconfiguring Indexicality: Rethinking Photographic Indexicality in AI-Generated Imagery and Deepfakes; 12. From Visual to Living. The Spectacle Face; 13. Twin Faces: A Semiotic Trajectory; Index

Notă biografică

Massimo Leone is Professor of Philosophy of Communication and Semiotics at the University of Turin, Italy, and Director of the Center for Religious Studies at the Bruno Kessler Foundation, Trento. He is also Part-Time Professor of Semiotics at Shanghai University, an Associate Member of Cambridge Digital Humanities, and Adjunct Professor at Andrés Bello Catholic University, Caracas. He was the Principal Investigator of the ERC Consolidator Grant project FACETS and the ERC Proof of Concept project EUFACETS. His research focuses on semiotics, visual culture, religion, digital communication, and artificial intelligence.

Descriere

This book examines the face as a central site in the production, interpretation, and transformation of visual meaning. It will be of interest to scholars and students of semiotics, visual communication, digital media, philosophy of communication, art history, digital humanities, and visual culture.