Macbeth: The State of Play: Arden Shakespeare The State of Play
Ann Thompsonen Limba Engleză Hardback – 27 feb 2014
The Text and its Status
History and Topicality
Critical Approaches and Close Reading
Adaptation and Afterlife
All the essays offer new perspectives and combine to give readers an up-to-date understanding of what's exciting and challenging about Macbeth. The approach based on an individual play, unlike that of topic-based series, reflects how Shakespeare is most commonly studied and taught.
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Specificații
ISBN-13: 9781472503206
ISBN-10: 1472503201
Pagini: 312
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare The State of Play
Locul publicării:London, United Kingdom
ISBN-10: 1472503201
Pagini: 312
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.43 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare The State of Play
Locul publicării:London, United Kingdom
Cuprins
INTRODUCTION
Ann Thompson (King's College London, UK)
THE TEXT AND ITS STATUS
Notes and Queries Concerning the Text of Macbeth
Anthony B. Dawson (University of British Columbia, USA)
Dwelling 'in doubtful joy': Macbeth and the Aesthetics of Disappointment
Brett Gamboa (Dartmouth College, USA)
HISTORY AND TOPICALITY
Politic Bodies in Macbeth
Dermot Cavanagh (University of Edinburgh, UK)
'To crown my thoughts with acts': Prophecy and Prescription in Macbeth
Debapriya Sarkar (Rutgers University, New Brunswick, Canada)
Lady Macbeth, First Ladies and the Arab Spring: The Performance of Power on the Twenty-First Century Stage
Kevin A. Quarmby (Oxford College of Emory University, Atlanta, USA)
CRITICAL APPROACHES AND CLOSE READING
'A walking shadow': Place, Perception and Disorientation in Macbeth
Darlene Farabee (University of South Dakota)
Cookery and Witchcraft in Macbeth
Geraldo U. de Sousa (University of Kansas, USA)
The Language of Macbeth
Jonathan Hope (Strathclyde University, Glasgow, UK) and Michael Witmore (Folger Shakespeare library, Washington DC, USA)
ADAPTATION AND AFTERLIFE
The Shapes of Macbeth: The Staged Text
Sandra Clark (Birkbeck, University of London, UK)
Raising the Violence while Lowering the Stakes: Geoffrey Wright's Screen Adaptation of Macbeth
Philippa Sheppard (University of Toronto, Canada)
The Butcher and the Text: Adaptation, Theatricality and the 'Shakespea(Re)-Told' Macbeth
Ramona Wray (Queen's University, Belfast, UK)
Ann Thompson (King's College London, UK)
THE TEXT AND ITS STATUS
Notes and Queries Concerning the Text of Macbeth
Anthony B. Dawson (University of British Columbia, USA)
Dwelling 'in doubtful joy': Macbeth and the Aesthetics of Disappointment
Brett Gamboa (Dartmouth College, USA)
HISTORY AND TOPICALITY
Politic Bodies in Macbeth
Dermot Cavanagh (University of Edinburgh, UK)
'To crown my thoughts with acts': Prophecy and Prescription in Macbeth
Debapriya Sarkar (Rutgers University, New Brunswick, Canada)
Lady Macbeth, First Ladies and the Arab Spring: The Performance of Power on the Twenty-First Century Stage
Kevin A. Quarmby (Oxford College of Emory University, Atlanta, USA)
CRITICAL APPROACHES AND CLOSE READING
'A walking shadow': Place, Perception and Disorientation in Macbeth
Darlene Farabee (University of South Dakota)
Cookery and Witchcraft in Macbeth
Geraldo U. de Sousa (University of Kansas, USA)
The Language of Macbeth
Jonathan Hope (Strathclyde University, Glasgow, UK) and Michael Witmore (Folger Shakespeare library, Washington DC, USA)
ADAPTATION AND AFTERLIFE
The Shapes of Macbeth: The Staged Text
Sandra Clark (Birkbeck, University of London, UK)
Raising the Violence while Lowering the Stakes: Geoffrey Wright's Screen Adaptation of Macbeth
Philippa Sheppard (University of Toronto, Canada)
The Butcher and the Text: Adaptation, Theatricality and the 'Shakespea(Re)-Told' Macbeth
Ramona Wray (Queen's University, Belfast, UK)