Cantitate/Preț
Produs

Lost in a Good Book (New English Library (nel))

De (autor)
Notă GoodReads:
en Limba Engleză Carte Paperback – 18 Jul 2002
Jasper Fforde's hit follow-up to THE EYRE AFFAIR, now available in stunning new jacket style.
Citește tot Restrânge
Toate formatele și edițiile
Toate formatele și edițiile Preț Express
Carte Paperback (2) 4723 lei  Economic 18-30 zile +1258 lei  3-5 zile
  HODDER AND STOUGHTON LTD – 18 Jul 2002 4723 lei  Economic 18-30 zile +1258 lei  3-5 zile
  Penguin Books – February 2004 9399 lei  Economic 2-4 săpt. +728 lei  10-18 zile

Din seria New English Library (nel)

Preț: 4723 lei

Preț vechi: 5510 lei
-14%

Puncte Express: 71

Preț estimativ în valută:
952 1074$ 849£

Carte disponibilă

Livrare economică 05-17 iulie
Livrare express 20-22 iunie pentru 2257 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780340733578
ISBN-10: 0340733578
Pagini: 400
Dimensiuni: 131 x 201 x 30 mm
Greutate: 0.27 kg
Editura: HODDER AND STOUGHTON LTD
Colecția Hodder Paperbacks
Seria New English Library (nel)

Locul publicării: United Kingdom

Cuprins

Lost in a Good Book 1. The Adrian Lush Show
2. The Speical Operations Network
3. Cardenio Unbound
4. Five Coincidences, Seven Irma Cohens and One Confused Neanderthal
5. Vanishing Hitchhikers
4a. Five Coincidences, Seven Irma Cohens and One Confused Thursday Next
6. Family
7. White Horse, Uffington, Picnics, for the Use of
8. Mr. Stiggins and SO-1
9. The More Things Stay the Same
10. A Lack of Differences
11. Granny Next
12. At Home with My Memories
13. Mount Pleasant
14. The Gravitube™
15. Curiouser &Curiouser in Osaka
16. Interview with the Cat
17. Miss Havisham
18. The Trial of Fräulein N
19. Bargain Books
20. Yorrick Kaine
21. Les Artes Modernes de Swindon '85
22. Travels with My Father
23. Fun with Spike
24. Performance-Related Pay, Miles Hawke &Norland Park
25. Roll Call at Jurisfiction
26. Assignment One: Bloophole Filled in Great Expectations
27. Landen and Joffy Again
28. "The Raven"
29. Rescued
30. Cardenio Rebound
31. Dream Topping
32. The End of Life As We Know It
33. The Dawn of Life as We Know It
34. The Well of Lost Plots

Recenzii

“[A]n analogue of Harry Potter just for, adults…effortlessly readable and unashamedly escapist…. [A]n immensely enjoy able, almost compulsive experience.” —The New York Times Book Review



“Fforde [has a] head-spinning narrative agility. His novel is satire, fantasy, literary criticism, thriller, whodunit, game, puzzle, joke, postmodern prank and tilt-a-whirl. Okay, maybe Lost in a Good Book is a creature with more than the usual number of feet. But it’s exceptionally light on all of them…[Fforde] is irrepressible good company” —The Washington Post



“Enchanting…a tale to savor. Harry Potter fans outgrowing Hogwarts should dive in.” —People



“Lost [ in a Good Book] is even more richly crammed with jokes, ideas and action. Brainier silliness is hard to find. A-.” —Entertainment Weekly



“Car chases, missing husbands, evil villains, a plucky heroine, and the Cheshire Cat. Jasper Fforde’s latest is mystery at its most fun—with a sci-fi twist.” —Marie Claire



“A joyful read, full of puns, allusions, and sheer fun. Highly recommended.” —Library Journal



“Time flies—and leaps and zigzags—while reading this wickedly funny and clever fantasy. Would-be wordsmiths and mystery fans will find the surreal genre-buster irresistible.” —Publishers Weekly



“Just what the doctor ordered now, in a world under the shadow of war, at the tail end of a long, cold winter…Lost in a Good Book resembles whipped cream—as sweet and light as the promise of spring.” —Salon.com



“Entertainingly surreal. Perhaps even more clever than its predecessor [The Eyre Affair], the new story offers a plot stuffed with enough coincidences and characters to make Dickens proud.” —Orlando Sentinel



“The book-jumping high jinks continue in Fforde’s equally whimsical Lost in a Good Book… its mix of surrealism, satire and adventure proves to be totally absorbing.” —Time Out New York



“Fforde’s wicked sense of humor and wide-ranging intelligence make every page a joy.” —The New Orleans Times-Picayune



“Fforde packs Lost in a Good Book to the rafters with sophisticated literary allusions, numerous interweaving subplots and wildly imaginative details. It’s obvious from the way he leaves things that Fforde has many more adventures in mind for his heroine; and with so many classics to choose from, Thursday will certainly have plenty of allies on her side.” —The Seattle Times


Notă biografică

Jasper Fforde traded a varied career in the film industry for staring vacantly out of the window and arranging words on a page. He lives and writes in Wales. The Eyre Affair was his first novel in the bestselling series of Thursday Next novels, which includes Lost in a Good Book, The Well of Lost Plots, Something Rotten, First Among Sequels, One of Our Thursdays is Missing, and The Woman Who Died A Lot. The series has more than one million copies (and counting) in print. He is also the author of The Big Over Easy and The Fourth Bear of the Nursery Crime series, Shades of Grey, and books for young readers, including The Last Dragonslayer. Visit jasperfforde.com.


Extras

I didn’t ask to be a celebrity. I never wanted to appear on The Adrian Lush Show. And let’s get one thing straight right now ߝ the world would have to be hurtling towards imminent destruction before I’d agree to anything as dopey as The Thursday Next Workout Video.
The publicity surrounding the successful rebookment of Jane Eyre was fun to begin with but rapidly grew wearisome. I happily posed for photocalls, agreed to newspaper interviews, hesitantly appeared on Desert Island Smells and was thankfully excused the embarrassment of Celebrity Name That Fruit! The public, ever fascinated by celebrity, had wanted to know everything about me following my excursion within the pages of Jane Eyre, and since the Special Operations Network have a PR record on a par with that of Vlad the Impaler, the top brass thought it would be a good wheeze to use me to boost their flagging popularity. I dutifully toured all points of the globe doing signings, library openings, talks and interviews. The same questions, the same SpecOps-approved answers. Supermarket openings, literary dinners, offers of book deals. I even met the actress Lola Vavoom, who said that she would simply adore to play me if there were a film. It was tiring, but more than that ߝ it was dull. For the first time in my career at the Literary Detectives I actually missed authenticating Milton.
I’d taken a week’s leave as soon my tour ended so Landen and I could devote some time to married life. I moved all my stuff to his house, rearranged his furniture, added my books to his and introduced my dodo, Pickwick, to his new home. Landen and I ceremoniously partitioned the bedroom closet space, decided to share the sock drawer, then had an argument over who was to sleep on the wall side of the bed. We had long and wonderfully pointless conversations about nothing in particular, walked Pickwick in the park, went out to dinner, stayed in for dinner, stared at each other a lot and slept in late every morning. It was wonderful.
On the fourth day of my leave, just between lunch with Landen’s mum and Pickwick’s notable first fight with the neighbour’s cat, I got a call from Cordelia Flakk. She was the senior SpecOps PR agent here in Swindon and she told me that Adrian Lush wanted me on his show. I wasn’t mad keen on the idea ߝ or the show. But there was an upside. The Adrian Lush Show went out live and Flakk assured me that this would be a ‘no holds barred’ interview, something that held a great deal of appeal. Despite my many appearances, the true story about Jane Eyre was yet to be told ߝ and I had been wanting to drop the Goliath Corporation in it for quite a while. Flakk’s assurance that this would finally be the end of the press junket clinched my decision. Adrian Lush it would be.
I travelled up to the Network Toad studios a few days later on my own; Landen had a deadline looming and needed to get his head down. But I wasn’t alone for long. As soon as I stepped into the large entrance lobby a milk-curdling shade of green strode purposefully towards me.
‘Thursday, darling!’ cried Cordelia, beads rattling. ‘So glad you could make it!’
The SpecOps dress code stated that our apparel should be ‘dignified’ but in Cordelia’s case they had obviously stretched a point. Anyone looking less like a serving officer was impossible to imagine. Looks, in her case, were highly deceptive. She was SpecOps all the way from her high heels to the pink-and-yellow scarf tied in her hair.

She air-kissed me affectionately.

‘How was New Zealand?’

‘Green and full of sheep,’ I replied. ‘I brought you this.’

I handed her a fluffy toy lamb that bleated realistically when you turned it upside down.

‘How adorable! How’s married life treating you?’

‘Very well.’

‘Excellent, my dear, I wish you both the best. Love what you’ve done with your hair!’

‘My hair? I haven’t done anything with my hair!’

‘Exactly!’ replied Flakk quickly. ‘It’s so incredibly you.’

She did a twirl.

‘What do you think of the outfit?’

‘One’s attention is drawn straight to it,’ I replied ambiguously.

‘This is 1985,’ she explained, ‘bright colours are the future. I’ll let you loose in my wardrobe one day.’

‘I think I’ve got some pink socks of my own somewhere.’

‘It’s a start, my dear. Listen, you’ve been a star about all this publicity work; I’m very grateful ߝ and so is SpecOps.’

‘Grateful enough to post me somewhere other than the Literary Detectives?’

‘Well,’ murmured Cordelia reflectively, ‘first things first. As soon as you’ve done the Lush interview your transfer application will be aggressively considered, you have my word on that.’

It didn’t sound terribly promising. Despite the successes at work, I still wanted to move up within the Network. Cordelia took my arm and steered me towards the waiting area.

‘Coffee?’

‘Thank you.’

‘Spot of bother in Auckland?’

‘Bronte Federation offshoot caused a bit of trouble,’ I explained.

‘They didn’t like the new ending of Jane Eyre.’
‘There’ll always be a few malcontents,’ observed Flakk. ‘Milk?’

‘Thanks.’

‘Oh,’ she said, staring at the milk jug, ‘this milk’s off. No matter. Listen,’ she went on quietly, ‘I’d love to stay and watch but some SpecOps 17 clot in Penzance staked a Goth by mistake; it’s going to be PR hell on earth down there.’

SO-17 were the vampire and werewolf disposal squad. Despite a new ‘three-point’ confirmation procedure, a jumpy cadet with a sharpened stake could still spell big trouble.