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London Fields

Autor Martin Amis
en Limba Engleză Paperback – 27 apr 2027
Martin Amis s acclaimed novel now in a twenty-fifth-anniversary hardcover edition is a blackly comic murder mystery about a murder that has not yet happened.
First published in 1989, LONDON FIELDS is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded millennium approaches, Nicola Six, a black hole of sex and self-loathing, attempts to orchestrate her own extinction, choosing her thirty-fifth birthday, November 5, 1999, as the date of her murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young a writer suffering from a long bout of writer s block stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, LONDON FIELDS is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision.
(Book Jacket Status: Jacketed)"
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Specificații

ISBN-13: 9781250414977
ISBN-10: 1250414970
Pagini: 496
Dimensiuni: 137 x 210 x 25 mm
Greutate: 0.45 kg
Editura: Picador USA

Descriere

Descriere de la o altă ediție sau format:
In this wildly ambitious and funny novel, one of England's brilliant young writers relates two murders in the making. The first is the self-orchestrated extinction of Nicola Six. The second is the murder of the Earth itself, whose fate seems intricately bound up with Nicola's.

Notă biografică

MARTIN AMIS is the author of 15 novels--among them Zone of Interest, London Fields, Time's Arrow, The Information, and Night Train--along with the memoir Experience, the novelized self-portrait Inside Story, two collections of stories, and seven nonfiction books. He died in 2023.

Recenzii

"A comic murder mystery, an apocalyptic satire, a scatological meditation on love and death and nuclear winter...by turns lyrical and obscene, colloquial and rhapsodic." —Michiko Kakutani, The New York Times