Kraftwerk's Computer World: 33 1/3
Autor Steve Tupai Francisen Limba Engleză Paperback – 14 iul 2022
Upon its release on 10 May 1981, the record was a revelation. It was unlike anything created for mainstream consumers of music at that time, an electronic suite of assured and industrious propulsive forward movement. Kraftwerk set off a sonic detonation that is still being felt today.
This book explores Kraftwerk's revolutionary sonic template, their conceptual and artistic preoccupations and lyrical obsessions to provide new insights into one of the greatest records ever made.
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Specificații
ISBN-13: 9781501378980
ISBN-10: 1501378988
Pagini: 160
Dimensiuni: 120 x 164 x 10 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria 33 1/3
Locul publicării:New York, United States
ISBN-10: 1501378988
Pagini: 160
Dimensiuni: 120 x 164 x 10 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria 33 1/3
Locul publicării:New York, United States
Cuprins
1. Ohm Sweet Ohm
2. We Are the Robots
3. Planet Rock
4. Speak & Spell
5. From Station to Station
6. "We had no fathers".
7. Interpol and Deutsche Bank, FBI and Scotland Yard.
8. Hiroshima Mon Amour
9. Tomorrow's World
10. "Here's to the Crazy Ones"
11. The Pleasure Principle
12. Neon Lights
2. We Are the Robots
3. Planet Rock
4. Speak & Spell
5. From Station to Station
6. "We had no fathers".
7. Interpol and Deutsche Bank, FBI and Scotland Yard.
8. Hiroshima Mon Amour
9. Tomorrow's World
10. "Here's to the Crazy Ones"
11. The Pleasure Principle
12. Neon Lights
Recenzii
Steve Tupai Francis pops the hood on Kraftwerk's Computer World and delivers a lovingly exhaustive examination of the road to realizing their perfect sonic vision, the reverberations of which are still felt today . Artfully balancing key elements from the band's previous work while shedding light on the various tools that helped create Computer World, (shoutout Speak and Spell!), Francis does an exceptional job of managing an avalanche of information, and keeping it moving and relevant.
Francis brings clarity to subjects like Bauhaus-influenced design, the Düsseldorf division of IBM, Hazeltine 1500 computers (the monitor that graces the album's cover) and the intricate details of how Kraftwerk's Kling Klang studios came to be.
Francis brings clarity to subjects like Bauhaus-influenced design, the Düsseldorf division of IBM, Hazeltine 1500 computers (the monitor that graces the album's cover) and the intricate details of how Kraftwerk's Kling Klang studios came to be.