Nine Inch Nails' Pretty Hate Machine: 33 1/3

Autor Daphne Carr
en Limba Engleză Paperback – 26 mai 2011
What is the world that Nine Inch Nails made, and what was the world that made Nine Inch Nails? These are the questions at the heart of this study of the band's 1989 debut, Pretty Hate Machine.The album began as after-hours demos by mercenary new wave keyboardist Trent Reznor, and was disciplined into sparse industrial dance by a handful of the UK's best industrial producers. Carr traces how the album became beloved in the underground, found its mass at Lollapalooza, and its market at the newly opened mall store Hot Topic. For fans, Nine Inch Nails was a vehicle for questioning God, society, the family, sex, and the body. In ten raw, heartbreaking oral histories woven through the book, fans living in the post-industrial Midwest discuss the successes and failures of the American dream as they are articulated in Nine Inch Nails' music. Daphne Carr illuminates Pretty Hate Machine as at once singular and as representative of how popular music can impact history and change lives.
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ISBN-13: 9780826427892
ISBN-10: 0826427898
Pagini: 192
Dimensiuni: 121 x 165 x 12 mm
Greutate: 0.18 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria 33 1/3

Locul publicării:New York, United States


Convincingly links the decline of industry with the appeal of this music to American youth

Notă biografică

Daphne Carr is a Manhattan-based writer. She is the series editor of Best Music Writing and an editor at Current Musicology. Her music writing has appeared in numerous anthologies and publications including Out of the Vinyl Deeps, Listen Again: A Momentary History of Pop, the Village Voice, MOJO, The Nation, Stop Smiling, and Venus Zine. Find her at


IntroductionMapThe BecomingMercer, Pa."Head Like a Hole""Terrible Lie""Down in It"Youngstown, Ohio"Sanctified""Something I Can Never Have""Kinda I Want To""Sin"Cleveland, Ohio"That's What I Get""The Only Time""Ringfinger"Leader of the Black ParadeNotesCreditsBibliography


Carr's take on Pretty Hate Machine as an accessible piece of art is fortified by her ability to include everyone - fans, critics, NIN virgins - into her dialogue. Here, PHM is transformed from an album for outcasts into a work that applies more generally to mass culture.


Combining solid research into NIN's roots with compelling, emotional oral histories from fans, a fascinating account of a huge subculture.