Killing Orpheus: Carnegie Mellon University Press Poetry Series
Autor Forester McClatcheyen Limba Engleză Paperback – 19 feb 2026
A book that holds death in one hand and wonder in the other, Killing Orpheus explores the horror of mortality, the brutality of history, and the gentle miracles of love. Using received forms, especially the sonnet, this collection cycles through various speakers, including an aging Penelope, Frankenstein’s monster, Isaac beneath Abraham’s blade, and an elephant in Hannibal’s army. Here are sprays of flowers and hungry alligators, lethal snakes, and a baby’s first breath. Here are poems that reckon with death, but for the sake of life. Here is a poetic consciousness that shows us we must dare to make “a truce with loss” in order to go “spinning into love’s bizarre abyss.”
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Specificații
ISBN-13: 9780887487255
ISBN-10: 0887487254
Pagini: 88
Dimensiuni: 140 x 216 mm
Greutate: 0.45 kg
Editura: Carnegie-Mellon University Press
Colecția Carnegie-Mellon University Press
Seria Carnegie Mellon University Press Poetry Series
ISBN-10: 0887487254
Pagini: 88
Dimensiuni: 140 x 216 mm
Greutate: 0.45 kg
Editura: Carnegie-Mellon University Press
Colecția Carnegie-Mellon University Press
Seria Carnegie Mellon University Press Poetry Series
Notă biografică
Forester McClatchey is a poet and critic from Atlanta, Georgia. He received his MFA from the University of Florida, and his work appears in 32 Poems, The Hopkins Review, Literary Matters, Subtropics, and Gulf Coast, among others. He teaches at Atlanta Classical Academy.
Cuprins
i.
Alpine Meadow ( 13
Isaac’s Memory ( 14
Wringing Lilies from the Acorn ( 15
A Carcass ( 16
After Abel ( 17
Root Words ( 18
Antivenom ( 19
In a Green Shade ( 23
Elephant in Hannibal’s Army ( 24
Eating in a State of Flowers ( 25
Waiting for Birth ( 26
Penelope, Growing Old ( 27
Flaubert, Senility ( 29
Auto Nativity ( 30
Not Knowing How to Breathe ( 31
Wreath-Making ( 32
Threnody ( 33
Turning One ( 34
Killing Orpheus ( 35
ii.
Aubade ( 39
Adam’s Task ( 40
Acrolect ( 41
Coffee Grounds ( 42
Startled by the Breaking Cup of Spring ( 43
Dragonflies Hunting ( 44
Wild Azaleas ( 45
On the Nature of Yes ( 46
The Rival ( 47
Ophelia ( 48
Ringneck ( 49
The Monster Captures Frankenstein ( 50
iii.
Question for the Dead ( 55
Reading Catullus in Bed ( 56
Clew ( 57
Sweetgum Ball ( 58
Stanzas for Dwoskin ( 59
The Painters Who Were Not Masters ( 61
The Storm Is What It Seems ( 63
Ambivalence of Birds ( 64
The Artist and His Collards ( 65
The Albert Memorial ( 66
Humdrumming ( 67
Come to Grief ( 68
Biking the Dog ( 69
Gall ( 70
Minnows ( 71
Smoke Jumper ( 72
Letter from a Roman Soldier in Gaul ( 80
Elegy for Several Selves ( 81
Alpine Meadow ( 13
Isaac’s Memory ( 14
Wringing Lilies from the Acorn ( 15
A Carcass ( 16
After Abel ( 17
Root Words ( 18
Antivenom ( 19
In a Green Shade ( 23
Elephant in Hannibal’s Army ( 24
Eating in a State of Flowers ( 25
Waiting for Birth ( 26
Penelope, Growing Old ( 27
Flaubert, Senility ( 29
Auto Nativity ( 30
Not Knowing How to Breathe ( 31
Wreath-Making ( 32
Threnody ( 33
Turning One ( 34
Killing Orpheus ( 35
ii.
Aubade ( 39
Adam’s Task ( 40
Acrolect ( 41
Coffee Grounds ( 42
Startled by the Breaking Cup of Spring ( 43
Dragonflies Hunting ( 44
Wild Azaleas ( 45
On the Nature of Yes ( 46
The Rival ( 47
Ophelia ( 48
Ringneck ( 49
The Monster Captures Frankenstein ( 50
iii.
Question for the Dead ( 55
Reading Catullus in Bed ( 56
Clew ( 57
Sweetgum Ball ( 58
Stanzas for Dwoskin ( 59
The Painters Who Were Not Masters ( 61
The Storm Is What It Seems ( 63
Ambivalence of Birds ( 64
The Artist and His Collards ( 65
The Albert Memorial ( 66
Humdrumming ( 67
Come to Grief ( 68
Biking the Dog ( 69
Gall ( 70
Minnows ( 71
Smoke Jumper ( 72
Letter from a Roman Soldier in Gaul ( 80
Elegy for Several Selves ( 81
Recenzii
"We enter an elemental realm in Forester McClatchey’s poetry where 'Night reveals the busy moods of love' and the sleeping mind is 'a zoo of dreams.' Romantic things, night, love, the body, dreams, are present with their timeless proportions, often but never obviously in sonnets, always new somehow and surprising and yet familiar, like the work of a young master on his way to becoming an old one. W. H. Auden moved, lived, and had his being in this world. It is the classic country of poetry and Forester McClatchey is an outstanding new citizen."
"Forester McClatchey knows that love binds us to a world of loss, a world in which the mundane and the catastrophic walk side by side. In his exceptional poems, he hears 'a humdrumming, a daily beat/that measures us, trembling through the void' and knows that breath is 'the slog of getting the gift. / The awkward, slow rowing away from death.' In that light of that knowledge, he beseeches the dead: 'Tell me how to live. Worm into my ear. / I want one instant of my life to be clear.' His probing, precise, and meticulously crafted poems create those longed-for moments of clarity and then share them with us, his fortunate readers."
"Every so often—not very often—you read a first collection by a young poet and know you’re hearing a voice that will matter to lovers of poetry in a hundred years, and I felt that on opening Forester McClatchey’s Killing Orpheus. Like Adam before he could name things (in this poet’s remarkable 'Adam's Task'), I 'heard whorled languages of ferns' and am confident they will only keep uncoiling."