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John Woo’s Bullet in the Head

Autor Tony Williams
en Limba Engleză Paperback – 31 mar 2009
Though underappreciated in contemporary film criticism, Bullet in the Head is a landmark in John Woo’s career as a film director. Featuring strong early work by Hong Kong stars such as Tony Leung Chiu-Wai and Simon Yam, the film functions both as modern Jacobean revenge tragedy and as an allegory of fears surrounding the Tiananmen Square incident for Hong Kong residents facing reunification with China. Detailing the circumstances surrounding production and the role of leading stars, Tony Williams argues for the film’s central importance as a major triumph of dynamic Asian cinema and assesses its significance both for Hong Kong cinema and Woo’s later career.
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Specificații

ISBN-13: 9789622099685
ISBN-10: 9622099688
Pagini: 144
Dimensiuni: 140 x 191 x 10 mm
Greutate: 0.23 kg
Editura: Hong Kong University Press
Colecția Hong Kong University Press
Locul publicării:Hong Kong

Recenzii

“The book makes a compelling case for examining Bullet in the Head as the high point of John Woo’s career in Hong Kong. Williams’s knowledge of Hong Kong cinema is encyclopedic, and the book effectively highlights the unique place of this ‘apocalyptic mel

“This is an excellent study of John Woo’s Bullet in the Head that will appeal to both students of Hong Kong and other popular Asian cinemas as well as academics working in the field. Williams persuasively locates Woo’s most personal and gruelling film wit

Notă biografică

Tony Williams is Professor and Area Head of Film Studies in the Department of English at Southern Illinois University at Carbondale. His recent books include The Cinema of George A. Romero Knight of the Living Dead, Body and Soul The Cinematic Vision of Robert Aldrich, and the anthology Horror International (edited with Steven Jay Schneider).

Textul de pe ultima copertă

Film Studies / Asian Studies / Cultural Studies

Descriere

Though underappreciated in contemporary film criticism, Bullet in the Head is a landmark in John Woo’s career as a film director. Featuring strong early work by Hong Kong stars such as Tony Leung Chiu-Wai and Simon Yam, the film functions both as modern Jacobean revenge tragedy and as an allegory of fears surrounding the Tiananmen Square incident for Hong Kong residents facing reunification with China. Detailing the circumstances surrounding production and the role of leading stars, Tony Williams argues for the film’s central importance as a major triumph of dynamic Asian cinema and assesses its significance both for Hong Kong cinema and Woo’s later career.