J.B. Priestley: Routledge Modern and Contemporary Dramatists
Autor Maggie B. Galeen Limba Engleză Hardback – 2008
Priestley was often criticised for being either too populist or too experimental and this study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics; describing and analysing in detail not only his plays but also their specific historical and contemporary productions.
Using a combination of archive, review and critical materials, the book re-locates Priestley as a theatre theorist of substance as well as a playwright who challenged theatre conventions and assumptions about audience expectations, at a time when theatre was considered both conservative and lacking in innovation.
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Specificații
ISBN-13: 9780415402422
ISBN-10: 0415402425
Pagini: 224
Ilustrații: 14 halftones
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.33 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Modern and Contemporary Dramatists
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415402425
Pagini: 224
Ilustrații: 14 halftones
Dimensiuni: 138 x 216 x 19 mm
Greutate: 0.33 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Modern and Contemporary Dramatists
Locul publicării:Oxford, United Kingdom
Public țintă
UndergraduateCuprins
Section I: Life, Politics and Theory Chapter 1: Life Career and Politics Chapter 2: The Function and Practice of Theatre: visions, theories and critical responses Section II: Key Plays Chapter 3: The Family, Gender and Sexual Relations Chapter 4: Time and the Time Plays Chapter 5: Work and Visions of Dystopia/Utopia Section III: Key Plays/Productions Chapter 6: The Good Companions Chapter 7: An Inspector Calls Chapter 8: Johnson Over Jordan
Descriere
The first book to provide a detailed and up to date analysis of Priestley’s enormous contribution to twentieth century British theatre.
This study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics.
This study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics.