Invisible Presence
Autor Catriona Macleoden Limba Engleză Hardback – 17 sep 2021
MacLeod’s exploration focuses on the representation of female characters in French comics across genres, artistic styles, and time periods. Until now, these characters and their creators have received relatively little scholarly attention, or have only been considered individually, rather than within wider patterns of female representation; this book aims to correct that.
Preț: 261.21 lei
Puncte Express: 392
Preț estimativ în valută:
46.24€ • 53.90$ • 40.05£
46.24€ • 53.90$ • 40.05£
Carte disponibilă
Livrare economică 06-20 februarie
Livrare express 22-28 ianuarie pentru 45.46 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781789383904
ISBN-10: 1789383900
Pagini: 258
Ilustrații: 7 color plates, 9 halftones
Dimensiuni: 175 x 250 x 19 mm
Greutate: 0.63 kg
Editura: Intellect Books
ISBN-10: 1789383900
Pagini: 258
Ilustrații: 7 color plates, 9 halftones
Dimensiuni: 175 x 250 x 19 mm
Greutate: 0.63 kg
Editura: Intellect Books
Notă biografică
Catriona MacLeod is a lecturer in French studies and politics at the University of London Institute in Paris (ULIP).
Cuprins
Introduction – Women Problems
SECTION 1: PRIMARY WOMEN CHARACTERS
Chapter 1 – Bécassine to Barbarella…But What Came in Between? An Introductory History of Female Primary Characters in the Francophone Bande Dessinée
Chapter 2 – Bécassine: The First Lady of Bande Dessinée?
Chapter 3 – Barbarella: Study of a Sex-Symbol
Chapter 4 – Solving the Mystery of Adèle Blanc-Sec
SECTION 2: SECONDARY WOMEN CHARACTERS
Preface: A Brief Consideration of the Minor
Chapter 5 – Beyond Bonemine: An Introductory History of Female Secondary Characters in the Francophone Bande Dessinée
Chapter 6 – A Study of Stereotypes: The Secondary Female Characters of Astérix
Chapter 7 – Secondary Women in Urban Realism: La Vie de ma mère
Chapter 8 – Black Secondary Women in the Works of Warnauts and Raives: The Eroticization of Difference
Chapter 9 – Secondary Women in the BD New Wave: The Female Figures of Le Combat ordinaire
SECTION 3: WOMEN CHARACTERS BY WOMEN CREATORS
Chapter 10 – The Women that Women Draw: An Introductory History of Female Characters Drawn by Women Artists in the Francophone Bande Dessinée
Chapter 11 – The Rise and Fall of Ah! Nana: France’s first and only all-female illustré
Chapter 12 – Murdering the Male Gaze: Chantal Montellier’s Odile et les crocodiles
Chapter 13 – Everyday extremes: Aurélia Aurita’s Fraise et chocolat
Conclusion – Problem Solved?
Figures
Bibliography
SECTION 1: PRIMARY WOMEN CHARACTERS
Chapter 1 – Bécassine to Barbarella…But What Came in Between? An Introductory History of Female Primary Characters in the Francophone Bande Dessinée
Chapter 2 – Bécassine: The First Lady of Bande Dessinée?
Chapter 3 – Barbarella: Study of a Sex-Symbol
Chapter 4 – Solving the Mystery of Adèle Blanc-Sec
SECTION 2: SECONDARY WOMEN CHARACTERS
Preface: A Brief Consideration of the Minor
Chapter 5 – Beyond Bonemine: An Introductory History of Female Secondary Characters in the Francophone Bande Dessinée
Chapter 6 – A Study of Stereotypes: The Secondary Female Characters of Astérix
Chapter 7 – Secondary Women in Urban Realism: La Vie de ma mère
Chapter 8 – Black Secondary Women in the Works of Warnauts and Raives: The Eroticization of Difference
Chapter 9 – Secondary Women in the BD New Wave: The Female Figures of Le Combat ordinaire
SECTION 3: WOMEN CHARACTERS BY WOMEN CREATORS
Chapter 10 – The Women that Women Draw: An Introductory History of Female Characters Drawn by Women Artists in the Francophone Bande Dessinée
Chapter 11 – The Rise and Fall of Ah! Nana: France’s first and only all-female illustré
Chapter 12 – Murdering the Male Gaze: Chantal Montellier’s Odile et les crocodiles
Chapter 13 – Everyday extremes: Aurélia Aurita’s Fraise et chocolat
Conclusion – Problem Solved?
Figures
Bibliography