Insurgent Imaginations
Autor Auritro Majumderen Limba Engleză Paperback – 25 sep 2025
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Specificații
ISBN-13: 9781108725743
ISBN-10: 1108725740
Pagini: 242
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.33 kg
Editura: Cambridge University Press
ISBN-10: 1108725740
Pagini: 242
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.33 kg
Editura: Cambridge University Press
Cuprins
Dedication; Epigraph; Acknowledgements; Preface. About this book; 1. Peripheral internationalisms; 2. The memoir and anticolonial internationalism in M. N. Roy; 3. The lumpen aesthetics of Mrinal Sen: cinema novo meets urban fiction; 4. Black blood: fictions of the tribal in Mahasweta Devi and Arundhati Roy; 5. The disappearing rural in new India: Aravind Adiga and the Indian Anglophone novel; 6. Conclusion; 7. Works cited.
Recenzii
'In place of a World Literature that venerates 'a small canon of texts divorced from context,' Insurgent Imaginations stages the powerful theater of 'peripheral internationalism.' With South Asia as focus, it travels through the literary, filmic, theoretical, and non-literary texts of the 'periphery,' to re-evaluate the past by way of a rich historical narrative as well as careful close readings. For this reader, the discussion of Mahasweta Devi was particularly enjoyable.' Gayatri Chakravorty Spivak, author of A Critique of Postcolonial Reason
'An ebullient, richly documented and entirely new story: how 'World Literature' was the very banner under which third-world rebels and visionaries reimagined the world as a kind of humanist international. An important book, and one based on materials that are almost completely unknown.' Professor Timothy Brennan, Samuel Russell Chair in the Humanities, University of Minnesota
'Insurgent Imaginations is a bracing response to anodyne notions of 'World Literature' whose inevitable center is Anglo-America. Instead, Majumder develops a powerful theory of 'peripheral internationalism,' by showing how twentieth-century Bangla/Bengali literature developed in conversation with literary, cultural, and political movements across the world (the 'West' was not ignored, but not granted special privilege). The writers and artists who populate Majumder's peripheral internationalism derived their creative energies from anticolonial movements, and their art rejected imperialist hierarchies of knowledge. They also went on to develop powerful critiques of the national elites who took power after independence. Theirs is an internationalism insurgent in its sympathies and practices, and devoted to emancipatory change, in Bengal, in India, across the world. These are the values that motivate Majumder's deeply humanist scholarship and activist cultural commitments too, and make Insurgent Imaginations an important intervention into cultural debates today.' Suvir Kaul, A.M. Rosenthal Professor of English, University of Pennsylvania
Insurgent Imaginations jolts commonplace ideas about the relevance and range of world literature. The book begins in the inter-war years and discovers an astonishing constellation of dialogues that Indian writers had with socialist counterparts in Latin America, Africa, and Asia. It also provides a rare and absorbing account of literary-cultural connections that have not received sufficient attention until now. Tagore's ideas about emancipation are considered alongside Mao Zedong's; M.N. Roy's communist ideals contextualized in his dialogue with Claude McKay and other Black internationalists; Mrinal Sen's arthouse films probed for their debts to Third Cinema and the Naxalite movement. Literary works by Aravind Adiga, Arundhati Roy, and Mahasweta Devi are read alongside those by Richard Wright, Tagore, Brecht, Lu Xun, and Rokeya Sakhawat Hossain among others. In other words, Insurgent Imaginations reveals a kaleidoscope of global connections between vastly different national histories and aesthetic forms. It offers a brilliant theory about the making of world literature through a submerged internationalist vernacular between far-flung corners of the subaltern colonial world. In so doing, it forces us to see beyond the bland globalism of any world literature yoked exclusively to Anglo- or Euro-centric canons. Majumder's openly avowed Marxist commitments and very thorough and carefully nuanced arguments about the masked socialist imaginaries of world literary cultures will persuade and excite scholarly discussion. Insurgent Imaginations engages the hot topic of 'world literature' that has lately preoccupied the study of literature with such verve and newness as to compel us to rethink what truly counts as 'World Literature.' Mrinalini Chakravorty, Associate Professor of English, University of Virginia
'An ebullient, richly documented and entirely new story: how 'World Literature' was the very banner under which third-world rebels and visionaries reimagined the world as a kind of humanist international. An important book, and one based on materials that are almost completely unknown.' Professor Timothy Brennan, Samuel Russell Chair in the Humanities, University of Minnesota
'Insurgent Imaginations is a bracing response to anodyne notions of 'World Literature' whose inevitable center is Anglo-America. Instead, Majumder develops a powerful theory of 'peripheral internationalism,' by showing how twentieth-century Bangla/Bengali literature developed in conversation with literary, cultural, and political movements across the world (the 'West' was not ignored, but not granted special privilege). The writers and artists who populate Majumder's peripheral internationalism derived their creative energies from anticolonial movements, and their art rejected imperialist hierarchies of knowledge. They also went on to develop powerful critiques of the national elites who took power after independence. Theirs is an internationalism insurgent in its sympathies and practices, and devoted to emancipatory change, in Bengal, in India, across the world. These are the values that motivate Majumder's deeply humanist scholarship and activist cultural commitments too, and make Insurgent Imaginations an important intervention into cultural debates today.' Suvir Kaul, A.M. Rosenthal Professor of English, University of Pennsylvania
Insurgent Imaginations jolts commonplace ideas about the relevance and range of world literature. The book begins in the inter-war years and discovers an astonishing constellation of dialogues that Indian writers had with socialist counterparts in Latin America, Africa, and Asia. It also provides a rare and absorbing account of literary-cultural connections that have not received sufficient attention until now. Tagore's ideas about emancipation are considered alongside Mao Zedong's; M.N. Roy's communist ideals contextualized in his dialogue with Claude McKay and other Black internationalists; Mrinal Sen's arthouse films probed for their debts to Third Cinema and the Naxalite movement. Literary works by Aravind Adiga, Arundhati Roy, and Mahasweta Devi are read alongside those by Richard Wright, Tagore, Brecht, Lu Xun, and Rokeya Sakhawat Hossain among others. In other words, Insurgent Imaginations reveals a kaleidoscope of global connections between vastly different national histories and aesthetic forms. It offers a brilliant theory about the making of world literature through a submerged internationalist vernacular between far-flung corners of the subaltern colonial world. In so doing, it forces us to see beyond the bland globalism of any world literature yoked exclusively to Anglo- or Euro-centric canons. Majumder's openly avowed Marxist commitments and very thorough and carefully nuanced arguments about the masked socialist imaginaries of world literary cultures will persuade and excite scholarly discussion. Insurgent Imaginations engages the hot topic of 'world literature' that has lately preoccupied the study of literature with such verve and newness as to compel us to rethink what truly counts as 'World Literature.' Mrinalini Chakravorty, Associate Professor of English, University of Virginia