In the Shadow of No Towers
Autor Art Spiegelmanen Limba Engleză Hardback – 2 sep 2020
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.
He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.
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Specificații
ISBN-13: 9780241463970
ISBN-10: 0241463971
Pagini: 48
Dimensiuni: 253 x 367 x 21 mm
Greutate: 1.3 kg
Editura: Penguin Books
Colecția Viking
Locul publicării:London, United Kingdom
ISBN-10: 0241463971
Pagini: 48
Dimensiuni: 253 x 367 x 21 mm
Greutate: 1.3 kg
Editura: Penguin Books
Colecția Viking
Locul publicării:London, United Kingdom
Notă biografică
Art
Spiegelmanhas
been
a
staff
artist
and
contributing
editor
at
theNew
Yorker,
as
well
as
the
cofounder/coeditor
ofRAW,
the
acclaimed
magazine
of
avant-garde
comics
and
graphics.
In
addition
toMaus-
which
was
awarded
the
Pulitzer
Prize
and
twice
nominated
for
the
National
Book
Critics
Circle
Award
-
he
is
the
author
ofBreakdownsandIn
the
Shadow
of
No
Towers.
In
January
2011,
Art
Spiegelman
was
awarded
Le
Grand
Prix
at
the
Angoulême
International
Comics
Festival.
From
2012
through
2014
a
museum
retrospective
of
his
work,
called
Co-Mix,
travelled
to
the
Pompidou
Center
in
Paris,
the
Ludwig
Museum
in
Cologne,
Germany,
the
Jewish
Museum
in
New
York,
the
Vancouver
Art
Gallery
and
the
Art
Gallery
of
Ontario.
His
most
recent
book
isSi
Lewen's
Parade:
An
Artist's
Oddyssey(2016).
He
lives
in
New
York
City
with
his
wife,
Françoise
Mouly,
and
a
cat
named
Voodoo.
Recenzii
Art
Spiegelman...to
the
comics
world
is
a
Michelangelo
and
a
Medici
both,
an
influential
artist
who
is
also
an
impresario
and
an
enabler
of
others...[Maus's]
great
innovation-unmatched
and
possibly
unmatchable-was
in
its
combination
of
style
and
subject....It
would
be
almost
impossible
to
overstate
the
influence
ofMausamong
other
artists
Spiegelman has become one ofThe New Yorker's most sensational artists, in recent years drawing illustrations for covers that are meant not just to be plainly understood but also to reach up and tattoo your eyeballs with images....From his Holocaust saga [Maus] in which Jewish mice are exterminated by Nazi cats, to theThe New Yorkercovers guaranteed to offend, to a wild party that ends in murder: Art Spiegelman's cartoons don't fool around
A startling and provocative work
For one moment on an otherwise perfect fall day in Manhattan, time stood absolutely still, and since then history has rushed past too quickly for any artist to keep up. This disjunction between experience and understanding givesIn the Shadow of No Towerssomething so much more than a linear narrative: It is a love letter to a city that this artist, no matter his fears, could not bring himself to leave
Spiegelman has become one ofThe New Yorker's most sensational artists, in recent years drawing illustrations for covers that are meant not just to be plainly understood but also to reach up and tattoo your eyeballs with images....From his Holocaust saga [Maus] in which Jewish mice are exterminated by Nazi cats, to theThe New Yorkercovers guaranteed to offend, to a wild party that ends in murder: Art Spiegelman's cartoons don't fool around
A startling and provocative work
For one moment on an otherwise perfect fall day in Manhattan, time stood absolutely still, and since then history has rushed past too quickly for any artist to keep up. This disjunction between experience and understanding givesIn the Shadow of No Towerssomething so much more than a linear narrative: It is a love letter to a city that this artist, no matter his fears, could not bring himself to leave