Hurt and Pain: Literature and the Suffering Body
Autor Susannah B. Mintzen Limba Engleză Hardback – 5 dec 2013
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Specificații
ISBN-13: 9781441174482
ISBN-10: 1441174486
Pagini: 208
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.47 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1441174486
Pagini: 208
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.47 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Cuprins
1. Introduction
2. Our Stories, Our Pain: Autobiographical Utterances
3. The Drama of Pain: Plays and Performance Art
4. The Poetry of Pain: Hurting Made Lyrical
5. The Shape of Pain: On Narration and Plot
6. Bystander Pain: On Witnessing and Touch
7. Conclusion
Index
2. Our Stories, Our Pain: Autobiographical Utterances
3. The Drama of Pain: Plays and Performance Art
4. The Poetry of Pain: Hurting Made Lyrical
5. The Shape of Pain: On Narration and Plot
6. Bystander Pain: On Witnessing and Touch
7. Conclusion
Index
Recenzii
Mintz points to, and develops, the work of Dickinson scholars such as Marianne Noble and Michael Snedicker, reassessing common interpretations of certain poems. Mintz's extensive, intricate knowledge of Dickinson's work [in particular] ... offers new critical insight into the poet's hurt and pain.
Mintz offers a stimulating book that is convincing in its use of inspiring individual observations and its unusual combination of primary texts ... Her study provides a wealth of starting points for further interdisciplinary studies.
Susannah Mintz brings together poetry, memoir, drama and fiction to show that pain is "inescapable" and "magnificently variable" in the many ways it can destroy and affirm the power of language and selfhood. Discussing writers from John Donne and Emily Dickinson to the present day, she sets the personal experience of pain in tension with the medical understanding of pain. An informed, provocative, important book.
After Elaine Scarry, it has become commonplace to say that pain defies expression - that it is essentially a private, and thus isolating, phenomenon. But, as Susannah Mintz demonstrates in this original, economical, and compelling study, creative writers have long brought their talents to bear on this inevitable human experience, rendering it according to the capabilities of various genres. Literature is no antidote to pain - no anodyne - but Mintz shows how the literary communication of pain may help us live through it and with it. A richly nuanced, beautifully written, and surprisingly heartening book.
A brilliant analysis of pain refracted through genre, Hurt and Pain operates as itself a kind of pain scale-it weighs, measures, and strikes chords of familiar dissonance. In this pain-averse culture, those of us who wake up in pain every morning may feel in the wrong, blame-worthy, alone. Susannah Mintz intervenes in such ableist conceptualizations, offering community and solace through a kaleidoscope of aching, stinging, limping, grieving texts. Mintz resists the transcendence paradigm that tells us to rise above-or get over-our pain, reminding us through careful readings of poems, plays, novels, and memoirs that, beyond good and bad or right and wrong, pain is interesting. Far from the dismissive truism that misery loves company, Mintz clearly demonstrates that the literature of pain is, for many readers, a source of psychological support and palliative touch.
Mintz offers a stimulating book that is convincing in its use of inspiring individual observations and its unusual combination of primary texts ... Her study provides a wealth of starting points for further interdisciplinary studies.
Susannah Mintz brings together poetry, memoir, drama and fiction to show that pain is "inescapable" and "magnificently variable" in the many ways it can destroy and affirm the power of language and selfhood. Discussing writers from John Donne and Emily Dickinson to the present day, she sets the personal experience of pain in tension with the medical understanding of pain. An informed, provocative, important book.
After Elaine Scarry, it has become commonplace to say that pain defies expression - that it is essentially a private, and thus isolating, phenomenon. But, as Susannah Mintz demonstrates in this original, economical, and compelling study, creative writers have long brought their talents to bear on this inevitable human experience, rendering it according to the capabilities of various genres. Literature is no antidote to pain - no anodyne - but Mintz shows how the literary communication of pain may help us live through it and with it. A richly nuanced, beautifully written, and surprisingly heartening book.
A brilliant analysis of pain refracted through genre, Hurt and Pain operates as itself a kind of pain scale-it weighs, measures, and strikes chords of familiar dissonance. In this pain-averse culture, those of us who wake up in pain every morning may feel in the wrong, blame-worthy, alone. Susannah Mintz intervenes in such ableist conceptualizations, offering community and solace through a kaleidoscope of aching, stinging, limping, grieving texts. Mintz resists the transcendence paradigm that tells us to rise above-or get over-our pain, reminding us through careful readings of poems, plays, novels, and memoirs that, beyond good and bad or right and wrong, pain is interesting. Far from the dismissive truism that misery loves company, Mintz clearly demonstrates that the literature of pain is, for many readers, a source of psychological support and palliative touch.