Human Voices
Autor Penelope Fitzgeralden Limba Engleză Paperback – dec 1988
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Specificații
ISBN-13: 9780006542544
ISBN-10: 0006542549
Pagini: 208
Ilustrații: port.
Dimensiuni: 128 x 198 x 25 mm
Greutate: 0.16 kg
Editura: HarperCollins Publishers
Locul publicării:United Kingdom
ISBN-10: 0006542549
Pagini: 208
Ilustrații: port.
Dimensiuni: 128 x 198 x 25 mm
Greutate: 0.16 kg
Editura: HarperCollins Publishers
Locul publicării:United Kingdom
Recenzii
"Having come late to fiction--she was past 60 when her first novel appeared--Penelope Fitzgerald has made up for lost time. Three of her nine books were shortlisted for Britain's Booker Prize, whish she won in 1979 for Offshore. Her novel The Blue Flower, based on the life of the German poet Novalis, nabbed the National Book Critics Circle Award for fiction.
Awards are one thing, talent's another, and Fitzgerald has it in spades. Warm and wry, her writing is as economical as it is perfect. It's always a pleasure to see a new book under her name." The Washington Post
"Fitzgerald is one of the finest living English writers, and readers acquainted only with her prize-winning historical novel of Germany, "The Blue Flower," will relish encountering her on her home territory. Her beautifully economic fictions are always alive with meticulous, surprising phrases, whether she's conveying the expectant dread in England in 1940, when invasion seemed imminent, or writing about something more pragmatic, such as workers carrying on "with the exalted remorselessness characteristic of anyone who starts moving furniture." Salon —
Awards are one thing, talent's another, and Fitzgerald has it in spades. Warm and wry, her writing is as economical as it is perfect. It's always a pleasure to see a new book under her name." The Washington Post
"Fitzgerald is one of the finest living English writers, and readers acquainted only with her prize-winning historical novel of Germany, "The Blue Flower," will relish encountering her on her home territory. Her beautifully economic fictions are always alive with meticulous, surprising phrases, whether she's conveying the expectant dread in England in 1940, when invasion seemed imminent, or writing about something more pragmatic, such as workers carrying on "with the exalted remorselessness characteristic of anyone who starts moving furniture." Salon —