How to Teach a Play: Essential Exercises for Popular Plays
Editat de Miriam Chirico, Kelly Youngeren Limba Engleză Hardback – 9 ian 2020
Featuring more than 80 exercises, How to Teach a Play provides teaching strategies for the most commonly taught plays, ranging from classical through contemporary drama. Developed by contributors from a range of disciplines, these exercises reveal the variety of practitioners that make up the theatrical arts; they are written by playwrights, theater directors, and artistic directors, as well as by dramaturgs and drama scholars. In bringing together so many different perspectives, this book highlights the distinctive qualities that makes theater such a dynamic genre.
This collection offers an array of proven approaches for anyone teaching drama: literature and theater professors; high school teachers; dramaturgs and directors. Written in an accessible and jargon-free style, both instructors and directors can immediately apply the activity to the classroom or rehearsal. Whether you specialize in drama or only teach a play every now and again, these exercises will inspire you to modify, transform, and reinvent your own role in the dramatic arts.
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Specificații
ISBN-13: 9781350017528
ISBN-10: 1350017523
Pagini: 312
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.62 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350017523
Pagini: 312
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.62 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Cuprins
Acknowledgments
Introduction The ExercisesHubris and Hamartia based on Aristotle's Poetics
Agamemnon by Aeschylus
The Eumenides by Aeschylus
Antigone by Sophocles
Oedipus the King by Sophocles
Medea by Euripides
Lysistrata by Aristophanes
The Twin Menaechmi by Plautus
The Second Shepherd's Play by The Wakefield Master
Atsumori by Zeami Motokiyo
Everyman by Anonymous
A Midsummer Night's Dream (I) by William Shakespeare
A Midsummer Night's Dream (II) by William Shakespeare
Romeo and Juliet by William Shakespeare
The Merchant of Venice by William Shakespeare
The Tragedy of Hamlet (I) by William Shakespeare
The Tragedy of Hamlet (II) by William Shakespeare
The Tragedy of Othello by William Shakespeare
Measure for Measure by William Shakespeare
The Tragedy of King Lear by William Shakespeare
The Tempest by William Shakespeare
Life is a Dream by Pedro Calderón de la Barca
Tartuffe by Moliere
The Misanthrope by Molière
Restoration Theater Audiences
The Country Wife by William Wycherley
The Rover by Aphra Behn
The Way of the World by William Congreve
The School for Scandal by Richard Brinsley Sheridan
Woyzeck by Georg Büchner
A Doll's House by Henrik Ibsen
Miss Julie by August Strindberg
Hedda Gabler by Henrik Ibsen
The Importance of Being Earnest by Oscar Wilde
Three Sisters by Anton Chekhov
The Cherry Orchard by Anton Chekhov
Pygmalion by George Bernard Shaw
Trifles by Susan Glaspell
Six Characters in Search of an Author by Luigi Pirandello
Juno and the Paycock by Sean O'Casey
Machinal by Sophie Treadwell
The House of Bernarda Alba by Federico García Lorca
Our Town by Thorton Wilder
Mother Courage and Her Children by Bertolt Brecht
Long Day's Journey Into Night by Eugene O'Neill
The Glass Menagerie by Tennessee Williams
Death of a Salesman by Arthur Miller
Waiting for Godot (I) by Samuel Beckett
Waiting for Godot (II) by Samuel Beckett
The Crucible by Arthur Miller
Cat on a Hot Tin Roof by Tennessee Williams
Endgame by Samuel Beckett
The Birthday Party by Harold Pinter
Rhinoceros by Eugene Ionesco
A Raisin in the Sun by Lorraine Hansberry
The Zoo Story by Edward Albee
Who's Afraid of Virginia Woolf? By Edward Albee
Dutchman by Amiri Baraka
The Homecoming by Harold Pinter
The House of Blue Leaves by John Guare
Death and the King's Horseman by Wole Soyinka
Fefu and Her Friends by María Irene Fornés
And the Soul Shall Dance by Wakako Yamauchi
Zoot Suit by Luis Valdez
True West by Sam Shepard
Top Girls by Caryl Churchill
Cloud Nine by Caryl Churchill
"Master Harold" . and the boys by Athol Fugard
Glengarry Glen Ross by David Mamet
Fences by August Wilson
The Other Shore by Gao Xingjian
The Piano Lesson by August Wilson
M. Butterfly by David Henry Hwang
Fires in the Mirror by Anna Deavere Smith
Angels in America, Part One by Tony Kushner
Information for Foreigners by Griselda Gambaro
Oleanna by David Mamet
Rosencrantz and Guildenstern are Dead by Tom Stoppard
Blasted by Sarah Kane
'Art' by Yasmina Reza
How I Learned to Drive by Paula Vogel
Topdog/Underdog by Suzan-Lori Parks
Doubt: A Parable by John Patrick Shanley
Dead Man's Cell Phone by Sarah Ruhl
Water by the Spoonful by Quiara Alegría Hudes
Sweat by Lynn Nottage
Vietgone by Qui Nguyen
Introduction The ExercisesHubris and Hamartia based on Aristotle's Poetics
Agamemnon by Aeschylus
The Eumenides by Aeschylus
Antigone by Sophocles
Oedipus the King by Sophocles
Medea by Euripides
Lysistrata by Aristophanes
The Twin Menaechmi by Plautus
The Second Shepherd's Play by The Wakefield Master
Atsumori by Zeami Motokiyo
Everyman by Anonymous
A Midsummer Night's Dream (I) by William Shakespeare
A Midsummer Night's Dream (II) by William Shakespeare
Romeo and Juliet by William Shakespeare
The Merchant of Venice by William Shakespeare
The Tragedy of Hamlet (I) by William Shakespeare
The Tragedy of Hamlet (II) by William Shakespeare
The Tragedy of Othello by William Shakespeare
Measure for Measure by William Shakespeare
The Tragedy of King Lear by William Shakespeare
The Tempest by William Shakespeare
Life is a Dream by Pedro Calderón de la Barca
Tartuffe by Moliere
The Misanthrope by Molière
Restoration Theater Audiences
The Country Wife by William Wycherley
The Rover by Aphra Behn
The Way of the World by William Congreve
The School for Scandal by Richard Brinsley Sheridan
Woyzeck by Georg Büchner
A Doll's House by Henrik Ibsen
Miss Julie by August Strindberg
Hedda Gabler by Henrik Ibsen
The Importance of Being Earnest by Oscar Wilde
Three Sisters by Anton Chekhov
The Cherry Orchard by Anton Chekhov
Pygmalion by George Bernard Shaw
Trifles by Susan Glaspell
Six Characters in Search of an Author by Luigi Pirandello
Juno and the Paycock by Sean O'Casey
Machinal by Sophie Treadwell
The House of Bernarda Alba by Federico García Lorca
Our Town by Thorton Wilder
Mother Courage and Her Children by Bertolt Brecht
Long Day's Journey Into Night by Eugene O'Neill
The Glass Menagerie by Tennessee Williams
Death of a Salesman by Arthur Miller
Waiting for Godot (I) by Samuel Beckett
Waiting for Godot (II) by Samuel Beckett
The Crucible by Arthur Miller
Cat on a Hot Tin Roof by Tennessee Williams
Endgame by Samuel Beckett
The Birthday Party by Harold Pinter
Rhinoceros by Eugene Ionesco
A Raisin in the Sun by Lorraine Hansberry
The Zoo Story by Edward Albee
Who's Afraid of Virginia Woolf? By Edward Albee
Dutchman by Amiri Baraka
The Homecoming by Harold Pinter
The House of Blue Leaves by John Guare
Death and the King's Horseman by Wole Soyinka
Fefu and Her Friends by María Irene Fornés
And the Soul Shall Dance by Wakako Yamauchi
Zoot Suit by Luis Valdez
True West by Sam Shepard
Top Girls by Caryl Churchill
Cloud Nine by Caryl Churchill
"Master Harold" . and the boys by Athol Fugard
Glengarry Glen Ross by David Mamet
Fences by August Wilson
The Other Shore by Gao Xingjian
The Piano Lesson by August Wilson
M. Butterfly by David Henry Hwang
Fires in the Mirror by Anna Deavere Smith
Angels in America, Part One by Tony Kushner
Information for Foreigners by Griselda Gambaro
Oleanna by David Mamet
Rosencrantz and Guildenstern are Dead by Tom Stoppard
Blasted by Sarah Kane
'Art' by Yasmina Reza
How I Learned to Drive by Paula Vogel
Topdog/Underdog by Suzan-Lori Parks
Doubt: A Parable by John Patrick Shanley
Dead Man's Cell Phone by Sarah Ruhl
Water by the Spoonful by Quiara Alegría Hudes
Sweat by Lynn Nottage
Vietgone by Qui Nguyen
Recenzii
[T]here are scores of great ideas in this book for enlivening plays in the classroom. These include guidelines for using specific gestures, music, props, costumes, as well as creating physical settings and paying attention to punctuation and blocking alongside other elements of a play.
Acknowledging the gap between the sometimes dry approach to dramatic texts in English and Literature classes (that often hold to the sanctity of the text) and the performance-happy lens that can often be found in drama classes, this book exists to serve both rooms with equal amounts of critical thinking and vision.
Rarely is the probable answer for most instructors for many reasons. They go on to ask 'Who wouldn't love to a be fly on the wall in someone else's classroom?' In essence, How to Teach a Play: Essential Exercises for Popular Plays, is the teacher of drama's opportunity to be the fly. Whether we teach drama courses, or drama in survey or literature courses, the activities and exercises in this book will open our eyes to new ways of approaching old materials and simple strategies for tackling complicated plays.
Acknowledging the gap between the sometimes dry approach to dramatic texts in English and Literature classes (that often hold to the sanctity of the text) and the performance-happy lens that can often be found in drama classes, this book exists to serve both rooms with equal amounts of critical thinking and vision.
Rarely is the probable answer for most instructors for many reasons. They go on to ask 'Who wouldn't love to a be fly on the wall in someone else's classroom?' In essence, How to Teach a Play: Essential Exercises for Popular Plays, is the teacher of drama's opportunity to be the fly. Whether we teach drama courses, or drama in survey or literature courses, the activities and exercises in this book will open our eyes to new ways of approaching old materials and simple strategies for tackling complicated plays.