How the World Began: Modern Plays
Autor Catherine Trieschmannen Limba Engleză Paperback – 15 noi 2011
Susan, a science teacher from Manhattan, starts work in a small rural Kansas town that's been ripped apart by a tornado. When one of her pupils - the damaged, articulate Micah - takes offence at an off-the-cuff remark about how life on Earth began, Susan is thrown into an ethical firestorm about science and faith that leads to her fearing for her safety.
Casting light on the tension between religion and secular liberalism, How the World Began explores the debate between creationism and evolution, and how this is taught in schools. With hints of American classics like Inherit the Wind and The Catcher in the Rye, the play traces the inexorable, fatalistic momentum from a single casual act into an all-encompassing dispute. A dispute which then threatens the very foundations of a community still reeling from a colossal disaster. In addition to its relevant and complex themes, the play is also about human psychology and what drives people to extreme ideological positions in times of duress.
With writing which is provocative, moving and intelligent, Catherine Trieschmann asks important questions alongside in-depth character studies. This shrewd and compassionate drama is astute, perceptive and controversial.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 80.22 lei 43-57 zile | +25.75 lei 6-12 zile |
| Samuel French, Inc. – 27 oct 2013 | 87.98 lei 22-36 zile | |
| Bloomsbury Publishing – 15 noi 2011 | 80.22 lei 43-57 zile | +25.75 lei 6-12 zile |
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Specificații
ISBN-13: 9781408172315
ISBN-10: 1408172313
Pagini: 96
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1408172313
Pagini: 96
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Recenzii
Catherine Trieschmann's gripping three-hander is very much in a tradition of American issue plays such as David Mamet's Oleanna and Rebecca Gilman's Spinning into Butter... The cleverness of this piece...is that its central drama is not about science versus creationism, but about faith and faithlessness, the gap between east-coast liberalism and small-town America, and about the way we dismiss other people's points of view.
Faith and science collide in one small room, and sparks fly spectacularly in this drama by the American writer Catherine Trieschmann... The play is gripping, disturbing and relevant... Trieschmann's writing is taut and laced with irony.
Faith and science collide in one small room, and sparks fly spectacularly in this drama by the American writer Catherine Trieschmann... The play is gripping, disturbing and relevant... Trieschmann's writing is taut and laced with irony.