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Henry James and the Ghostly

Autor T. J. Lustig
en Limba Engleză Paperback – 31 dec 2009
Ghosts - dead and yet alive, absent and yet present - are able to cross the borders of experience; in literature their evocation has been enduringly important. In Henry James and the Ghostly Dr Lustig explores the ghost stories that James produced throughout his career and relates them to the great dynamic forces which may well represent James's most original contribution to literature. The centrepiece of the book is a detailed analysis of James's classic ghost story, The Turn of the Screw, set in the context of work by earlier Victorian writers, and developments in James's own treatment of the ghostly. Dr Lustig evaluates the ghostly charge attached to the many scenes in James's novels and tales which turn on thresholds, perspectives, windows and doors, and the many moments when James's characters seem almost to encounter the margins of the texts which enclose them.
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Specificații

ISBN-13: 9780521131599
ISBN-10: 0521131596
Pagini: 332
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.54 kg
Editura: Cambridge University Press
Locul publicării:Cambridge, United Kingdom

Cuprins

Introduction; 1. The threshold; 2. The chamber of consciousness; 3. The Turn of the Screw; 4. The haunted chamber; Postscript; Notes; Bibliography; Index.


Descriere

Ghosts - dead and yet alive, absent and yet present - are able to cross the borders of experience; in literature their evocation has been enduringly important. In Henry James and the Ghostly Dr Lustig explores the ghost stories that James produced throughout his career and relates them to the great dynamic forces which may well represent James's most original contribution to literature. The centrepiece of the book is a detailed analysis of James's classic ghost story, The Turn of the Screw, set in the context of work by earlier Victorian writers, and developments in James's own treatment of the ghostly. Dr Lustig evaluates the ghostly charge attached to the many scenes in James's novels and tales which turn on thresholds, perspectives, windows and doors, and the many moments when James's characters seem almost to encounter the margins of the texts which enclose them.