Grids for Graphic Designers: Basics Design
Autor Gavin Ambrose, Paul Harrisen Limba Engleză Paperback – 28 ian 2021
Written and designed by best-selling authors Gavin Ambrose and Paul Harris, this clear and concise introduction to the use of grids in design covers all the basics and the expanded section of activities and exercises allows students to implement what they have learned.
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Specificații
ISBN-13: 9781474254779
ISBN-10: 1474254772
Pagini: 216
Ilustrații: 200 colour illus
Dimensiuni: 160 x 228 x 14 mm
Greutate: 0.54 kg
Ediția:3
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Basics Design
Locul publicării:London, United Kingdom
ISBN-10: 1474254772
Pagini: 216
Ilustrații: 200 colour illus
Dimensiuni: 160 x 228 x 14 mm
Greutate: 0.54 kg
Ediția:3
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Basics Design
Locul publicării:London, United Kingdom
Cuprins
Introduction
1. The need for grids
Organising information
How we read a page
How we view a screen
Form and function
Industry view: Boy Bastaiens
2. Grid basics
Anatomy of a page
Measurements
Shapes on a page
Proportion
Hierarchy
Drawing on a grid
The rule of thirds
The rule of odds
Industry view: Second Story
3. Grid types
Symmetrical
Asymmetrical
Modules
Combinations
The horizontal
The vertical
Broadside
Diagonal and angular grids
Industry view: Peter Dawson
4. Grid elements
Type
The baseline
Images
Horizontal and vertical alignment
Columns
Type and column widths
Folios
Industry view: Brody Associates
5. Grid usage
Visible grids
Scale
The perimeter
Axis
Juxtaposition
White space
Environmental grids
Caption-oriented grids
Quantitative information grids
The grid as expression
The grid as identity
Industry view: Nicholas Felton
6. Online grids
The online grid
Formality versus informality
Web basics- fixed or flexible?
Translating the grid to the screen
Orientation
Industry view: 3 Deep
Exercises
Glossary
Index and credits
1. The need for grids
Organising information
How we read a page
How we view a screen
Form and function
Industry view: Boy Bastaiens
2. Grid basics
Anatomy of a page
Measurements
Shapes on a page
Proportion
Hierarchy
Drawing on a grid
The rule of thirds
The rule of odds
Industry view: Second Story
3. Grid types
Symmetrical
Asymmetrical
Modules
Combinations
The horizontal
The vertical
Broadside
Diagonal and angular grids
Industry view: Peter Dawson
4. Grid elements
Type
The baseline
Images
Horizontal and vertical alignment
Columns
Type and column widths
Folios
Industry view: Brody Associates
5. Grid usage
Visible grids
Scale
The perimeter
Axis
Juxtaposition
White space
Environmental grids
Caption-oriented grids
Quantitative information grids
The grid as expression
The grid as identity
Industry view: Nicholas Felton
6. Online grids
The online grid
Formality versus informality
Web basics- fixed or flexible?
Translating the grid to the screen
Orientation
Industry view: 3 Deep
Exercises
Glossary
Index and credits
Recenzii
Subdividing space is commonplace in our culture and a traditional organizing principle. Our houses and apartments are divided into rooms; our drawers are designed with divided compartments to separate our things, and our parking lots are divided into rows of parallel spaces. In communication design, a grid provides a compositional framework through its network of horizontal and vertical intersecting lines that subdivide the page creating a guide to establish proportional relationships between the design elements. The authors of Grids for Graphic Designers state their goal is to introduce the basic principles of grid usage. They do so in a clear, articulate and visually informative process. This is a perfect text for students studying visual design, and those individuals who interested in grids and grid theory.
The 3rd edition of the Grid for Graphic Designers continues exploring ways in which contemporary graphic designers renew traditional approaches to 'grid making' practices, by emphasising both the imaginative and the practical. Examples of inventive designs are accompanied by meaningful annotations focusing both on what, and how it is represented. This exploration of relationships between content and grid format demonstrates the plurality of the approaches and the passage from fixed to fluidity as a modern way of representation. There are two generalisations about the grids: first, that they are inexhaustible and second, that they are selective. From this double perspective, the book demonstrates 'grid making' as a form of knowledge and provides a renewed context for the debate about the meaning and role of grids.
An essential and authoritative toolkit for constructors of the humble grid that will both inform and inspire content delivery, whether for print or screen. Historic and contemporary examples brilliantly illustrate the ongoing fascination and challenge of how graphic designers confront the blank page; creating work that unites content and form to deliver purposeful and appropriate visual communication.
The 3rd edition of the Grid for Graphic Designers continues exploring ways in which contemporary graphic designers renew traditional approaches to 'grid making' practices, by emphasising both the imaginative and the practical. Examples of inventive designs are accompanied by meaningful annotations focusing both on what, and how it is represented. This exploration of relationships between content and grid format demonstrates the plurality of the approaches and the passage from fixed to fluidity as a modern way of representation. There are two generalisations about the grids: first, that they are inexhaustible and second, that they are selective. From this double perspective, the book demonstrates 'grid making' as a form of knowledge and provides a renewed context for the debate about the meaning and role of grids.
An essential and authoritative toolkit for constructors of the humble grid that will both inform and inspire content delivery, whether for print or screen. Historic and contemporary examples brilliantly illustrate the ongoing fascination and challenge of how graphic designers confront the blank page; creating work that unites content and form to deliver purposeful and appropriate visual communication.