Gothic Science Fiction: 1980-2010
Editat de Sara Wasson, Emily Alderen Limba Engleză Hardback – 15 noi 2011
Gothic fiction’s focus on the irrational and supernatural would seem to conflict with science fiction’s rational foundations. However, as this novel collection demonstrates, the two categories often intersect in rich and revealing ways. Analyzing a range of works—including literature, film, graphic novels, and trading card games—from the past three decades through the lens of this hybrid genre, this volume examines their engagement with the era’s dramatic changes in communication technology, medical science, and personal and global politics.
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Specificații
ISBN-13: 9781846317071
ISBN-10: 184631707X
Pagini: 219
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.59 kg
Editura: Liverpool University Press
Colecția Liverpool University Press
ISBN-10: 184631707X
Pagini: 219
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.59 kg
Editura: Liverpool University Press
Colecția Liverpool University Press
Notă biografică
Sara Wasson is a lecturer in literature and culture at Edinburgh Napier University and the author of Urban Gothic of the Second World War: Dark London. Emily Alder is a lecturer in literature at Edinburgh Napier University.
Cuprins
Acknowledgements
List of illustrations
Foreword
Adam Roberts
Notes on contributors
Introduction
Sara Wasson and Emily Alder
Part I: Redefining Genres
1 In the Zone: Topologies of Genre Weirdness
Roger Luckhurst
2 Zombie Death Drive: Between Gothic and Science Fiction
Fred Botting
Part II: Biopower and Capital
3 ‘Death is Irrelevant’: Gothic Science Fiction and the Biopolitics of Empire
Aris Mousoutzanis
4 ‘A Butcher’s Shop where the Meat Still Moved’: Gothic Doubles, Organ Harvesting and Human Cloning
Sara Wasson
5 Guillermo del Toro’s Cronos, or the Pleasures of Impurity
Laurence Davies
6 Infected with Life: Neo-supernaturalism and the Gothic Zombie
Gwyneth Peaty
7 Ruined Skin: Gothic Genetics and Human Identity in Stephen Donaldson’s Gap Cycle
Emily Alder
Part III: Gender and Genre
8 The Superheated, Superdense Prose of David Conway: Gender and Subjectivity beyond The Starry Wisdom
Mark P. Williams
9 Spatialized Ontologies: Toni Morrison’s Science Fiction Traces in Gothic Spaces
Jerrilyn McGregory
10 The Gothic Punk Milieu in Popular Narrative Fictions
Nickianne Moody
11 Gothic Science Fiction in the Steampunk Graphic Novel The League of Extraordinary Gentlemen
Laura Hilton
Index
List of illustrations
Foreword
Adam Roberts
Notes on contributors
Introduction
Sara Wasson and Emily Alder
Part I: Redefining Genres
1 In the Zone: Topologies of Genre Weirdness
Roger Luckhurst
2 Zombie Death Drive: Between Gothic and Science Fiction
Fred Botting
Part II: Biopower and Capital
3 ‘Death is Irrelevant’: Gothic Science Fiction and the Biopolitics of Empire
Aris Mousoutzanis
4 ‘A Butcher’s Shop where the Meat Still Moved’: Gothic Doubles, Organ Harvesting and Human Cloning
Sara Wasson
5 Guillermo del Toro’s Cronos, or the Pleasures of Impurity
Laurence Davies
6 Infected with Life: Neo-supernaturalism and the Gothic Zombie
Gwyneth Peaty
7 Ruined Skin: Gothic Genetics and Human Identity in Stephen Donaldson’s Gap Cycle
Emily Alder
Part III: Gender and Genre
8 The Superheated, Superdense Prose of David Conway: Gender and Subjectivity beyond The Starry Wisdom
Mark P. Williams
9 Spatialized Ontologies: Toni Morrison’s Science Fiction Traces in Gothic Spaces
Jerrilyn McGregory
10 The Gothic Punk Milieu in Popular Narrative Fictions
Nickianne Moody
11 Gothic Science Fiction in the Steampunk Graphic Novel The League of Extraordinary Gentlemen
Laura Hilton
Index
Recenzii
“It’s about time that there was a publication such as this, which explores this relationship between the two genres—and the often hybrid nature of that relationship—in a manner that is timely, relevant, and generally very interesting indeed.”
“Science fiction and gothic fiction appear at first to be incompatible, if not actual opposites, but with this collection, Wasson and Alder show that there is a strong strain of the gothic in many of the most interesting science fiction texts of the past three decades. Covering fiction, movies, graphic novels, and even card games, the contributors explore how the two approaches to the unknown inform and enrich each other….the scholarship and understanding of the field are impeccable. Summing Up: Highly recommended.”