Gothic and Racism
Editat de Cristina Artenieen Paperback – 17 aug 2015
The perception of the Other has changed while a predilection for othering has endured. Our primary goal with this collection of essays is to contribute to the nascent field of Postcolonial Gothic Studies, understood binomially as a postcolonial version of “Gothic studies” and as the study of “postcolonial Gothic.”
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Specificații
ISBN-13: 9780993995149
ISBN-10: 0993995144
Pagini: 174
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.25 kg
Editura: University of British Columbia Press
Colecția Universitas Press
ISBN-10: 0993995144
Pagini: 174
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.25 kg
Editura: University of British Columbia Press
Colecția Universitas Press
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Cuprins
Gothic Horror and Racial Infection in Bram Stoker’s Dracula / Avishek Parui
Abramovitch’s The Mare: Russian Imperialism and the Yiddish Gothic Novel / Meital Orr
Strange Gods, Monstrous Aliens, and the Ignoble Savage: Racism and the Self/Other Dichotomy in the Gothic Fiction of H.P. Lovecraft / Joanna Wilson
The Appropriation of the Gothic in Charlaine Harris’ Dead until Dark / Jessica E. Birch
Bigger Faustus: The Purpose of Diabolism in Richard Wright’s Native Son / Mark Henderson
Women of Colour in Queer(ed) Space: Ann-Marie MacDonald’s Fall on Your Knees / Monalesia Earle
Return of the Slaveholding Repressed Past in Three Horror Films: Chloe, Love is Calling You (1934), Poor Pretty Eddie (1975), and White Dog (1982) / Fernando Gabriel Pagnoni, Mariana Zarate, and Patricia Vazquez
A House Divided: Post-Imperial Gothic in American Horror Story: Murder House (Fox TV, 2011) / Lance Hanson
Forever beyond the Forrest: Dracula and the Neo-Victorian Editors / Cristina Artenie
Mutiny Memorial: Imperial Gothic in Victorian Delhi / Ipshita Nath and Anubhav Pradhan
Abramovitch’s The Mare: Russian Imperialism and the Yiddish Gothic Novel / Meital Orr
Strange Gods, Monstrous Aliens, and the Ignoble Savage: Racism and the Self/Other Dichotomy in the Gothic Fiction of H.P. Lovecraft / Joanna Wilson
The Appropriation of the Gothic in Charlaine Harris’ Dead until Dark / Jessica E. Birch
Bigger Faustus: The Purpose of Diabolism in Richard Wright’s Native Son / Mark Henderson
Women of Colour in Queer(ed) Space: Ann-Marie MacDonald’s Fall on Your Knees / Monalesia Earle
Return of the Slaveholding Repressed Past in Three Horror Films: Chloe, Love is Calling You (1934), Poor Pretty Eddie (1975), and White Dog (1982) / Fernando Gabriel Pagnoni, Mariana Zarate, and Patricia Vazquez
A House Divided: Post-Imperial Gothic in American Horror Story: Murder House (Fox TV, 2011) / Lance Hanson
Forever beyond the Forrest: Dracula and the Neo-Victorian Editors / Cristina Artenie
Mutiny Memorial: Imperial Gothic in Victorian Delhi / Ipshita Nath and Anubhav Pradhan
Recenzii
Gothic and Racismis well worth reading, and I highly recommend it to all interested in Gothic studies. I hope the contributors all continue to make their voices heard in revealing the role racism has played in Gothic fiction, and by extension, helping to heal much of our Gothic historical past. -- Tyler Tychelaar, PhD