This bold new theoretical study explores dissident subjectivity, that is, the struggle for unique authorial identity in American literary discourse that has existed, according to David Jarraway, since the Romantics. From Emerson's Experience remarking upon the focal distance within the actual horizon of human life to Toni Morrison's Nobel Prize address sanctifying the artist's sophisticated privileged space, American literature has continuously recognized a necessary distance between culturally accepted ideas of selfhood and the intractable reality of the self's never-completed construction in time. Jarraway's fascinating examination of modernist poets shows that engaging with this artistic space empowers writers and their readers to create and perceive identities that resist the frozen certainties of conventional gender, sexual, and social roles. Employing this theory with grace and precision, Jarraway ranges through the dissident process in Gertrude Stein, the cultural criticism of William Carlos Williams, the deferred racialism of Langston Hughes, the queer perversities of Frank O'Hara, and the spectral lesbian poetics of Elizabeth Bishop. Bolstered further by insights f