Funny Stuff: How Comedy Shaped American History
Editat de Laura LaPlaca, Ryan Lintelman Cuvânt înainte de Mel Brooks Contribuţii de Jon Grinspan, Theodore S. Gonzalves, Ashley Olivia Mayor, John W. Troutman, Anya Montiel, Eric Jentsch, Ashley M. Senske, James L. Deutsch, Kevin Straiten Limba Engleză Hardback – 12 mai 2026 – vârsta ani
This accessible, comprehensive history—written by historians from the Smithsonian’s National Museum of American History, the National Museum of African American History and Culture, and the National Comedy Center—transports readers behind the scenes to see beloved and rarely exhibited artifacts while learning the stories of famous, infamous, and unknown comics and their influence on the nation’s culture. Perfect for comedy fans, pop culture aficionados, history lovers, and anyone who has ever laughed at a viral video, this dynamic work offers a new perspective on American history and who we are as a nation through the lens of comedy.
Preț: 291.15 lei
Precomandă
Puncte Express: 437
Preț estimativ în valută:
51.49€ • 60.70$ • 44.66£
51.49€ • 60.70$ • 44.66£
Carte nepublicată încă
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Specificații
ISBN-13: 9781978837966
ISBN-10: 1978837968
Pagini: 350
Ilustrații: 296 color images
Dimensiuni: 216 x 279 mm
Greutate: 0.45 kg
Editura: Rutgers University Press
Colecția Rutgers University Press
ISBN-10: 1978837968
Pagini: 350
Ilustrații: 296 color images
Dimensiuni: 216 x 279 mm
Greutate: 0.45 kg
Editura: Rutgers University Press
Colecția Rutgers University Press
Notă biografică
LAURA LAPLACA is the founding director of the National Comedy Center’s archive in Jamestown, New York, the United States’ congressionally designated home for the preservation of comedy history. She holds a PhD from Northwestern University and has published, taught, and presented about American popular culture for over fifteen years.
RYAN LINTELMAN is the curator of entertainment at the Smithsonian National Museum of American History and is one of the curators of the landmark exhibition Entertainment Nation. He contributed essays to Smithsonian Books’ Entertainment Nation (2022) and Smithsonian Civil War: Inside the National Collection (2013).
RYAN LINTELMAN is the curator of entertainment at the Smithsonian National Museum of American History and is one of the curators of the landmark exhibition Entertainment Nation. He contributed essays to Smithsonian Books’ Entertainment Nation (2022) and Smithsonian Civil War: Inside the National Collection (2013).
Cuprins
Foreword by Mel Brooks xi
Director’s Note by Journey Gunderson xiii
Director’s Note by Anthea M. Hartig xv
Introduction 1
CHAPTER 1
Comedy Shapes How We See Each Other
Petroleum Vesuvius Nasby aka David Ross Locke 9
Pipps Among the Wide Awakes 11
Bret Harte and “The Heathen Chinee” 15
Vaudeville:
The Voice of the City 18
The Marx Brothers:
“Whatever
it is, I’m against it!” 24
Blackface Minstrelsy 29
Brownface and Brownvoice 33
Amos ‘n’ Andy 36
The Comedy Album
Boom 41
inside shelley berman 42
the first family
43
a wild and crazy guy 44
laff of the party 45
2000 years with carl reiner and mel brooks 46
whoopi goldberg 48
child of the 50s 49
watch it sucker 50
The Beverly Hillbillies and the Other America
51
Phyllis Diller Cracks the Comedy Ceiling 54
Don Rickles, Equal Opportunity Offender 57
Laughter at the Front Lines: Bob Hope and the USO 59
Martha Raye as “Colonel
Maggie” 62
Tootsie and 9 to 5: Women’s
Lib and Men’s Crisis 63
Andy Bumatai and Local Comedy in Hawai‘i 66
“Yep, I’m Gay”: Ellen and Will
& Grace 68
Hari
Kondabolu and The Problem
with Apu 73
CHAPTER 2
Comedy Creates American Identity
Mark Twain, American 80
Will
Rogers, Poet Lariat 84
Bert Williams: “Funniest Man I Ever Saw, and the Saddest Man I Ever
Knew” 89
W. C. Fields, Gentleman Misanthrope 93
Silent
Clowns: Chaplin, Keaton, and Lloyd 97
Cartoon Comedy 105
Comedy Duos 109
Burns & Allen 109
Nichols & May 111
Butterbeans & Susie 112
Bob & Ray 113
Stiller & Meara 114
Martin & Lewis 116
Patsy Kelly & Thelma Todd 117
Laurel & Hardy 118
Abbott & Costello 119
Bert & Ernie 121
Under
the Straw Hat: Minnie Pearl and her Comedy Community 122
Late-Night
TV Takes America’s
Pulse 126
Broadcast Families 132
The Goldbergs 132
I Dream of Jeannie 134
Julia 135
Cheers 136
The Golden Girls 137
Familias from the Barrio: The 1970s Latinx Family
in the Network Era 139
Bob Newhart: Just Another Slightly Amusing Accountant 143
The Carol Burnett Show: Sketch Comedy, Her Way 146
Happy Days and the Nostalgia Boom 150
Saturday Night Live and TV’s Comedy Rebellion 154
Cheech Marin’s Born in East LA 157
The Muppets Take American History 159
“Do What You Want to Do”: In Living Color 164
Great
American Film Genres 167
The Buddy Comedy 168
The Rom-Com
168
The Road Trip Film 169
The Mockumentary 169
The Spoof 170
What’s the Deal with Seinfeld? 170
CHAPTER 3
Comedy Provokes Conversations
Mae West: “As Hot an Issue as Hitler” 177
Lenny Bruce: “Don’t
Lock Up These
Words” 180
Rusty Warren and Women’s
Sexuality: Too Taboo for You 183
Moms Mabley was “The Funniest Woman
in the World” 188
Lucille Ball and “Lucy Ricardo” 190
S’plaining Ricky Ricardo 196
“Can We Talk” About Joan Rivers? 201
Counterculture TV: The Smothers Brothers
Comedy Hour and
Laugh-In
205
Lily Tomlin 213
Pat Paulsen 214
Richard Pryor: Outrageous Authenticity 215
Land Back! Charlie Hill and the Power of Indigenous
Representation
219
All in the Family
and the “Loveable Bigot” 224
Moving on Up: Good Times and The Jeffersons 228
George Carlin and the Seven Words 231
George Carlin Joke File 236
M*A*S*H: Binding Up the Wounds 238
Chico and the Man: A Foot in the Door for La Raza 240
“You’re
Gonna Make It After
All”: Sitcoms and the Single Girl 243
The Daily Show and the Limits of Satire 247
CHAPTER 4
Comedy Breaks the Mold
Edgar Bergen and Charlie McCarthy: Ego and Id 256
Jack Benny and the Original “Show About Nothing” 259
Ernie Kovacs: Electronic Comic 263
Your Show of Shows and the Birth of Television
Comedy 266
Broadway: Crucible of Comedy 270
Avenue
Q 275
Kinky Boots 277
Abie’s Irish Rose
278
Neil Simon Captures Middle-Class
Malaise 280
Lyrical Laughter 282
Allan Sherman 282
Stan Freberg 284
Mark Russell 285
Weird Al Yankovic 287
Ruth Wallis 288
Victor Borge 289
Comedy Clubs 290
The Dick Van Dyke Show: Sitcoms Step Forward 293
“Stepping Off the Cliff ”: The Art of Improvisation 299
The Groundlings 301
The Living Premise 302
The Upright Citizens Brigade 303
Andy Kaufman: “Song and Dance Man” 304
The Simpsons: “Don’t
Have a Cow, Man!” 307
Margaret Cho: All-American
Girl 309
New Directions in Latinx Comedy 313
Traumedy: Folk Humor in Times of Crisis 316
Harlem Globetrotters, Clown Princes of Basketball 320
Harvey Fierstein: I Am Who I Am 322
Ali Wong: Baby Cobra 325
The Big Bang Theory and The Guild 327
From America’s
Funniest Home Videos to YouTube 329
Conclusion by Laura LaPlaca 333
Conclusion by Ryan Lintelman 337
Acknowledgments
343
Notes 345
Contributors 353
Illustration Credits 355
Index 000
Director’s Note by Journey Gunderson xiii
Director’s Note by Anthea M. Hartig xv
Introduction 1
CHAPTER 1
Comedy Shapes How We See Each Other
Petroleum Vesuvius Nasby aka David Ross Locke 9
Pipps Among the Wide Awakes 11
Bret Harte and “The Heathen Chinee” 15
Vaudeville:
The Voice of the City 18
The Marx Brothers:
“Whatever
it is, I’m against it!” 24
Blackface Minstrelsy 29
Brownface and Brownvoice 33
Amos ‘n’ Andy 36
The Comedy Album
Boom 41
inside shelley berman 42
the first family
43
a wild and crazy guy 44
laff of the party 45
2000 years with carl reiner and mel brooks 46
whoopi goldberg 48
child of the 50s 49
watch it sucker 50
The Beverly Hillbillies and the Other America
51
Phyllis Diller Cracks the Comedy Ceiling 54
Don Rickles, Equal Opportunity Offender 57
Laughter at the Front Lines: Bob Hope and the USO 59
Martha Raye as “Colonel
Maggie” 62
Tootsie and 9 to 5: Women’s
Lib and Men’s Crisis 63
Andy Bumatai and Local Comedy in Hawai‘i 66
“Yep, I’m Gay”: Ellen and Will
& Grace 68
Hari
Kondabolu and The Problem
with Apu 73
CHAPTER 2
Comedy Creates American Identity
Mark Twain, American 80
Will
Rogers, Poet Lariat 84
Bert Williams: “Funniest Man I Ever Saw, and the Saddest Man I Ever
Knew” 89
W. C. Fields, Gentleman Misanthrope 93
Silent
Clowns: Chaplin, Keaton, and Lloyd 97
Cartoon Comedy 105
Comedy Duos 109
Burns & Allen 109
Nichols & May 111
Butterbeans & Susie 112
Bob & Ray 113
Stiller & Meara 114
Martin & Lewis 116
Patsy Kelly & Thelma Todd 117
Laurel & Hardy 118
Abbott & Costello 119
Bert & Ernie 121
Under
the Straw Hat: Minnie Pearl and her Comedy Community 122
Late-Night
TV Takes America’s
Pulse 126
Broadcast Families 132
The Goldbergs 132
I Dream of Jeannie 134
Julia 135
Cheers 136
The Golden Girls 137
Familias from the Barrio: The 1970s Latinx Family
in the Network Era 139
Bob Newhart: Just Another Slightly Amusing Accountant 143
The Carol Burnett Show: Sketch Comedy, Her Way 146
Happy Days and the Nostalgia Boom 150
Saturday Night Live and TV’s Comedy Rebellion 154
Cheech Marin’s Born in East LA 157
The Muppets Take American History 159
“Do What You Want to Do”: In Living Color 164
Great
American Film Genres 167
The Buddy Comedy 168
The Rom-Com
168
The Road Trip Film 169
The Mockumentary 169
The Spoof 170
What’s the Deal with Seinfeld? 170
CHAPTER 3
Comedy Provokes Conversations
Mae West: “As Hot an Issue as Hitler” 177
Lenny Bruce: “Don’t
Lock Up These
Words” 180
Rusty Warren and Women’s
Sexuality: Too Taboo for You 183
Moms Mabley was “The Funniest Woman
in the World” 188
Lucille Ball and “Lucy Ricardo” 190
S’plaining Ricky Ricardo 196
“Can We Talk” About Joan Rivers? 201
Counterculture TV: The Smothers Brothers
Comedy Hour and
Laugh-In
205
Lily Tomlin 213
Pat Paulsen 214
Richard Pryor: Outrageous Authenticity 215
Land Back! Charlie Hill and the Power of Indigenous
Representation
219
All in the Family
and the “Loveable Bigot” 224
Moving on Up: Good Times and The Jeffersons 228
George Carlin and the Seven Words 231
George Carlin Joke File 236
M*A*S*H: Binding Up the Wounds 238
Chico and the Man: A Foot in the Door for La Raza 240
“You’re
Gonna Make It After
All”: Sitcoms and the Single Girl 243
The Daily Show and the Limits of Satire 247
CHAPTER 4
Comedy Breaks the Mold
Edgar Bergen and Charlie McCarthy: Ego and Id 256
Jack Benny and the Original “Show About Nothing” 259
Ernie Kovacs: Electronic Comic 263
Your Show of Shows and the Birth of Television
Comedy 266
Broadway: Crucible of Comedy 270
Avenue
Q 275
Kinky Boots 277
Abie’s Irish Rose
278
Neil Simon Captures Middle-Class
Malaise 280
Lyrical Laughter 282
Allan Sherman 282
Stan Freberg 284
Mark Russell 285
Weird Al Yankovic 287
Ruth Wallis 288
Victor Borge 289
Comedy Clubs 290
The Dick Van Dyke Show: Sitcoms Step Forward 293
“Stepping Off the Cliff ”: The Art of Improvisation 299
The Groundlings 301
The Living Premise 302
The Upright Citizens Brigade 303
Andy Kaufman: “Song and Dance Man” 304
The Simpsons: “Don’t
Have a Cow, Man!” 307
Margaret Cho: All-American
Girl 309
New Directions in Latinx Comedy 313
Traumedy: Folk Humor in Times of Crisis 316
Harlem Globetrotters, Clown Princes of Basketball 320
Harvey Fierstein: I Am Who I Am 322
Ali Wong: Baby Cobra 325
The Big Bang Theory and The Guild 327
From America’s
Funniest Home Videos to YouTube 329
Conclusion by Laura LaPlaca 333
Conclusion by Ryan Lintelman 337
Acknowledgments
343
Notes 345
Contributors 353
Illustration Credits 355
Index 000
Descriere
More than just gags and giggles, comedy is a powerful force, reflecting our hopes and fears, helping us understand social and political changes, and creating a shared national culture. In this book, historians from the Smithsonian Institution and National Comedy Center tell the stories of the comedians, performances, and provocations that have shaped American history.