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Freak Show Legacies: How the Cute, Camp and Creepy Shaped Modern Popular Culture

Autor Gary S. Cross
en Limba Engleză Paperback – 3 iun 2021
Society has long been fascinated with the freakish, shocking and strange. In this book Gary Cross shows how freakish elements have been embedded in modern popular culture over the course of the 20th century despite the evident disenchantment with this once widespread cultural outlet. Exploring how the spectacle of freakishness conflicted with genteel culture, he shows how the condemnation of the freak show by middle-class America led to a transformation and merging of genteel and freak culture through the cute, the camp and the creepy.

Though the carnival and circus freak was marginalised by the 1960s and had largely disappeared by the 1980s, forms of freakish culture survived and today appear in reality TV, horror movies, dark comedies and the popularity of tattoos. Freak Show Legacies will focus less on the individual 'freak' as 'the other' in society, and more on the audience for the freakish and the transformation of wonder, sensibility and sensitivity that this phenomenon entailed. It will use the phenomenon of 'the freak' to understand the transformation of American popular culture across the 20th century, identify elements of 'the freak' in popular culture both past and present, and ask how it has prevailed despite its apparent unpopularity.
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Specificații

ISBN-13: 9781350145122
ISBN-10: 1350145122
Pagini: 248
Ilustrații: 30 bw illus
Dimensiuni: 156 x 234 x 14 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Cuprins

Introduction
1. Carnival Culture and the Challenge of Gentility in the Early 20th Century
2. Marginalizing the Freak
3. Domesticated Freaks: Varieties of the Cute and the Wondrous Childhood
4. Countercultures of the Freakishly Camp
5. The Dark Side of the Freak Returns
6. Modern Pop Culture: Conventionality in Counterculture

Recenzii

In some ways, little has changed. The 'rabid curiosity' evoked by yesteryear's freakshow has migrated to today's 'documentaries', such as those featuring morbid obesity, on streaming services. These combine a supposed 'voyeuristic appeal' with 'sympathetic images'. Nevertheless, the historian Professor Gary Cross notes: The audience is to cheer [the obese] on . like the freak show crowd of old, aghast at their bodies.
Gary Cross makes some intriguing and troubling connections between an earlier fascination in American culture, and contemporary blind spots. An imaginative use of historical perspective.