Framing Piracy: Globalization and Film Distribution in Greater China
Autor Shujen Wangen Limba Engleză Hardback – 16 sep 2003
Preț: 714.78 lei
Preț vechi: 1033.31 lei
-31%
Puncte Express: 1072
Preț estimativ în valută:
126.50€ • 147.84$ • 109.83£
126.50€ • 147.84$ • 109.83£
Carte tipărită la comandă
Livrare economică 20 februarie-06 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780742519794
ISBN-10: 0742519791
Pagini: 256
Dimensiuni: 158 x 236 x 19 mm
Greutate: 0.45 kg
Ediția:0272
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
ISBN-10: 0742519791
Pagini: 256
Dimensiuni: 158 x 236 x 19 mm
Greutate: 0.45 kg
Ediția:0272
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
Cuprins
Part 1 List of Figures
Part 2 List of Photographs
Part 3 List of Tables
Part 4 Acknowledgments
Part 5 Introduction
Part 6 I: Contexts
Chapter 7 1. Global Film Distribution Revisited: Network, Technology, and Space
Chapter 8 2. Re-Contextualizing Copyright: Technology, Transnational Trade Regimes, and the State
Chapter 9 3. WTO and the Greater China Economic Circle: Local, Regional, and Global Dynamics
Chapter 10 4. VCD Killed the VHS Star
Part 11 II: Case Studies
Chapter 12 5. Film Distribution in Mainland China
Chapter 13 6. Film Piracy in Mainland China
Chapter 14 7. Film Distribution in Taiwan
Chapter 15 8. Profile: Wolf Chen
Chapter 16 9. A Culture of Illegality? Piracy in Taiwan
Chapter 17 10. The Hong Kong Connection: Distribution, Piracy, and Parallel Import
Chapter 18 11. Framing Piracy
Part 19 Appendix A
Part 20 Appendix B
Part 21 Appendix C
Part 22 Bibliography
Part 23 Index
Part 24 About the Author
Part 2 List of Photographs
Part 3 List of Tables
Part 4 Acknowledgments
Part 5 Introduction
Part 6 I: Contexts
Chapter 7 1. Global Film Distribution Revisited: Network, Technology, and Space
Chapter 8 2. Re-Contextualizing Copyright: Technology, Transnational Trade Regimes, and the State
Chapter 9 3. WTO and the Greater China Economic Circle: Local, Regional, and Global Dynamics
Chapter 10 4. VCD Killed the VHS Star
Part 11 II: Case Studies
Chapter 12 5. Film Distribution in Mainland China
Chapter 13 6. Film Piracy in Mainland China
Chapter 14 7. Film Distribution in Taiwan
Chapter 15 8. Profile: Wolf Chen
Chapter 16 9. A Culture of Illegality? Piracy in Taiwan
Chapter 17 10. The Hong Kong Connection: Distribution, Piracy, and Parallel Import
Chapter 18 11. Framing Piracy
Part 19 Appendix A
Part 20 Appendix B
Part 21 Appendix C
Part 22 Bibliography
Part 23 Index
Part 24 About the Author
Recenzii
A deliciously concrete yet profoundly general account of how the media in Greater China sort out their paradoxes-as well as how they negotiate a globalizing and technological order that they had never known before.
The information presented in this book is very informative, fresh, and comprehensive, and the analysis provided by the author is important and thoughtful. . . . A significant contribution.
This book goes beyond being cutting edge; it begins to define an entire field of study-media distribution-that until now has been relegated to the margins or seen only as an area of interest to students of marketing or management. . . . I plan to use the book in my international communication courses.
Wang provides a thorough, scholarly investigation of distribution and piracy in the (very) contemporary filmmaking industry. The author's approach-involving in-depth interviews, field observations, and library and archival research-is exhaustive and precise. Recommended.
Wang's book is divided into two parts, offering what she calls 'contexts' (historical theoretical, politico-economic-technological), followed by detailed case studies on mainland China, Hong Kong, and Taiwan. The book focuses on both legal and illegal film distribution. . . . This approach enables Wang to demonstrate the crucial relationships between global, national, regional, and local forces. For those interested in the political economy of the film industry in Greater China, this is a valuable pioneering work, offering a wealth of rich detail largely unavailable elsewhere.
Shujen Wang's extensive field research and thoughtful analysis unveils the mysteries of media piracy, showing how the fundamental logic of commercial film distribution is changing in our globalizing, hi-tech world. This fascinating study demonstrates why Greater China is at once the most promising and the most problematic market that Hollywood has ever confronted.
Shujen Wang provides a valuable range of contexts, both theoretical and practical....The great merit of this essay lies in its meticulous attention to detailing the link between global production and local distribution under globalism.
The information presented in this book is very informative, fresh, and comprehensive, and the analysis provided by the author is important and thoughtful. . . . A significant contribution.
This book goes beyond being cutting edge; it begins to define an entire field of study-media distribution-that until now has been relegated to the margins or seen only as an area of interest to students of marketing or management. . . . I plan to use the book in my international communication courses.
Wang provides a thorough, scholarly investigation of distribution and piracy in the (very) contemporary filmmaking industry. The author's approach-involving in-depth interviews, field observations, and library and archival research-is exhaustive and precise. Recommended.
Wang's book is divided into two parts, offering what she calls 'contexts' (historical theoretical, politico-economic-technological), followed by detailed case studies on mainland China, Hong Kong, and Taiwan. The book focuses on both legal and illegal film distribution. . . . This approach enables Wang to demonstrate the crucial relationships between global, national, regional, and local forces. For those interested in the political economy of the film industry in Greater China, this is a valuable pioneering work, offering a wealth of rich detail largely unavailable elsewhere.
Shujen Wang's extensive field research and thoughtful analysis unveils the mysteries of media piracy, showing how the fundamental logic of commercial film distribution is changing in our globalizing, hi-tech world. This fascinating study demonstrates why Greater China is at once the most promising and the most problematic market that Hollywood has ever confronted.
Shujen Wang provides a valuable range of contexts, both theoretical and practical....The great merit of this essay lies in its meticulous attention to detailing the link between global production and local distribution under globalism.