First Encounters with AI: Writers on Writing: Writers On Writing
Editat de Nina Begušen Limba Engleză Hardback – 17 noi 2026
Allison Parrish, Ted Chiang, Annelyse Gelman, Sasha Stiles, James Yu, Hannes Bajohr, Ken Liu, Qiufan Chen, Joseph Dumit, Gerardo Con Diaz, Iain S. Thomas, Sheila Heti, Nicholas Nardini, Jasmin B. Frelih, Katy Ilonka Gero, and Alex Saum-Pascual reflect on their early, intimate encounters with generative text at a moment when artificial intelligence feels at once thrilling, unsettling, and unavoidable. Their essays portray AI not as a monolith, but as a dynamic field of possibility and tension between creativity and computation, where longstanding human questions about intention, desire, authorship, labor, and value gain new urgency. Ranging from deeply personal meditations to critical provocations, from philosophical investigations to playful experiments, these writers reveal how writing tools shape writing itself—and what is at stake when those tools begin to imitate us. Curated and introduced by editor Nina Beguš, First Encounters with AI offers readers an essential guide to navigating this new literary landscape. Together, these essays map the terrain of our first contact zone with AI, offering clarity, insight, and imaginative depth at a moment of radical change.
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Specificații
ISBN-13: 9780472078431
ISBN-10: 0472078437
Pagini: 222
Ilustrații: 5 Illustrations
Dimensiuni: 152 x 229 mm
Greutate: 0.45 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Writers On Writing
ISBN-10: 0472078437
Pagini: 222
Ilustrații: 5 Illustrations
Dimensiuni: 152 x 229 mm
Greutate: 0.45 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Writers On Writing
Notă biografică
Nina Beguš is Researcher and Lecturer at the University of California, Berkeley. She is the author of Artificial Humanities: A Fictional Perspective on Language in AI.
Cuprins
Table of Contents
Introduction
Nina Beguš
Language Models and Desire: A Lexicon
Allison Parrish
Why AI Won't Make Art Easy to Make
Ted Chiang
The Death of the Death of the Artist
Annelyse Gelman
On Writing Poets
Sasha Stiles
Linguistic Mirrors
James Yu
No One Writes Alone
Hannes Bajohr
The Art of Copying
Ken Liu
Deep Writing: A Hermetic Practice in LLMs Era
Qiufan Chen
Co-Writing with AI (Academic Style)
Joseph Dumit and Gerardo Con Diaz
Prayers, Essays, Poems and Games
Iain S. Thomas
Chasing Alice
Sheila Heti
Ten Trillion Things I Hate About You
Nicholas Nardini
About Life
Jasmin B. Frelih
Novel Audiences
Katy Ilonka Gero
What If in the End
Alex Saum-Pascual
Contributor Biographies
Introduction
Nina Beguš
Language Models and Desire: A Lexicon
Allison Parrish
Why AI Won't Make Art Easy to Make
Ted Chiang
The Death of the Death of the Artist
Annelyse Gelman
On Writing Poets
Sasha Stiles
Linguistic Mirrors
James Yu
No One Writes Alone
Hannes Bajohr
The Art of Copying
Ken Liu
Deep Writing: A Hermetic Practice in LLMs Era
Qiufan Chen
Co-Writing with AI (Academic Style)
Joseph Dumit and Gerardo Con Diaz
Prayers, Essays, Poems and Games
Iain S. Thomas
Chasing Alice
Sheila Heti
Ten Trillion Things I Hate About You
Nicholas Nardini
About Life
Jasmin B. Frelih
Novel Audiences
Katy Ilonka Gero
What If in the End
Alex Saum-Pascual
Contributor Biographies
Recenzii
“Nina Beguš has assembled an essential collection of essays about the impact of AI on writers’ own understandings of artistry and craft. First Encounters with AI avoids polemic in favor of richly nuanced discussions of generative AI by writers who have used the technology or are deeply familiar with its history and ongoing development. Anyone who reads this collection will come away with a sharper understanding of not only AI, but also aesthetic judgment, literary form, and the meaning of meaning.”
“Every first encounter mission sends an expedition, and there is always a linguist on the team. This encounter is made entirely of language. So Beguš sent nothing but linguists, poets, people intimate with the word, Bajohr on the subtlety of surface imitation, Parrish twisting a lexicon into desire, and so many other excellent thinkers. A multitude, at a moment when the narratives being served are monochrome.”
“Finally, a book that avoids the blanket doom or utopia scenarios offered by critics and acolytes of large language models. First Encounters with AI shows real writers grappling—in ways both reasoned and affected—with the implications of these systems for the work that is most at stake: writing, reading, and the teaching of both. Engaging from start to finish, the essays assembled here range from the personal to scholarly inquiry, and together they refuse the pressure to declare AI use in strict binary terms: good or bad, useful or lazy. Instead, First Encounters with AI offers a clear-eyed articulation of what it can mean to be a writer, creative or academic or otherwise, amid this moment’s swarm of AI tools and strong opinions. Edited by Nina Beguš, whose Artificial Humanities provides a critical framework, the collection suggests a nuanced reframing: not writing in the age of AI, but AI’s moment in the long durée that is the age of writing.”
“Every first encounter mission sends an expedition, and there is always a linguist on the team. This encounter is made entirely of language. So Beguš sent nothing but linguists, poets, people intimate with the word, Bajohr on the subtlety of surface imitation, Parrish twisting a lexicon into desire, and so many other excellent thinkers. A multitude, at a moment when the narratives being served are monochrome.”
“Finally, a book that avoids the blanket doom or utopia scenarios offered by critics and acolytes of large language models. First Encounters with AI shows real writers grappling—in ways both reasoned and affected—with the implications of these systems for the work that is most at stake: writing, reading, and the teaching of both. Engaging from start to finish, the essays assembled here range from the personal to scholarly inquiry, and together they refuse the pressure to declare AI use in strict binary terms: good or bad, useful or lazy. Instead, First Encounters with AI offers a clear-eyed articulation of what it can mean to be a writer, creative or academic or otherwise, amid this moment’s swarm of AI tools and strong opinions. Edited by Nina Beguš, whose Artificial Humanities provides a critical framework, the collection suggests a nuanced reframing: not writing in the age of AI, but AI’s moment in the long durée that is the age of writing.”
Descriere
A fascinating look at the future of creative writing