Filming Forster: The Challenges of Adapting E.M. Forster's Novels for the Screen
Autor Earl G. Ingersollen Limba Engleză Hardback – 16 feb 2012
Adapting Forster's novels for the screen was postponed until well after the author's death in 1970 because the trustees of the author's estate fulfilled his wish that his work not be filmed. Following the appearance of David Lean's film A Passage to India in 1984, four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster's "gay" novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner.
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Specificații
ISBN-13: 9781611475173
ISBN-10: 1611475171
Pagini: 273
Ilustrații: 1
Dimensiuni: 161 x 235 x 26 mm
Greutate: 0.59 kg
Editura: Bloomsbury Publishing
Colecția Fairleigh Dickinson University Press
Locul publicării:New York, United States
ISBN-10: 1611475171
Pagini: 273
Ilustrații: 1
Dimensiuni: 161 x 235 x 26 mm
Greutate: 0.59 kg
Editura: Bloomsbury Publishing
Colecția Fairleigh Dickinson University Press
Locul publicării:New York, United States
Cuprins
Table of Contents
Introduction
The Last Epic: David Lean's A Passage to India
A Surprising Success: Merchant Ivory's A Room with a View
Breaking Ground: Merchant Ivory's Maurice
Another Tuscany: Charles Sturridge's Where Angels Fear to Tread
Handling an Icon: Merchant Ivory's Howards End
Selected Bibliography
Index
About the Author
Introduction
The Last Epic: David Lean's A Passage to India
A Surprising Success: Merchant Ivory's A Room with a View
Breaking Ground: Merchant Ivory's Maurice
Another Tuscany: Charles Sturridge's Where Angels Fear to Tread
Handling an Icon: Merchant Ivory's Howards End
Selected Bibliography
Index
About the Author
Recenzii
This volume offers nuanced discussion of the five film adaptations to date of E. M. Forster's work, all released between 1984 and 1992. By way of introduction, Ingersoll (emer., English, SUNY, Brockport) surveys recent developments in adaptation studies against a decades-long backdrop of critical insistence on "fidelity" to the source novel. Drawing on contemporary scholars like Deborah Cartmell, Imelda Whelehan, and Simone Murray, he then situates his close analyses of Forster adaptations in context of both the film industry and wider culture. At his best, the author is masterful, interweaving a detailed critique of the Merchant-Ivory adaptation of A Room with a View (1985) and debates over the status of "heritage film" and "costume film" (the latter a more nebulous label). .Ingersoll's observations are astute and engaging throughout. This is a must read for those interested in Forster and/or film adaptation. Summing Up: Recommended.
Filming Forster is an important study. Ingersoll's cultural and historicist perspective offers a contemporary approach to Forster's novels as well as to their film adaptations.
Filming Forster is an important study. Ingersoll's cultural and historicist perspective offers a contemporary approach to Forster's novels as well as to their film adaptations.